Keipalo Lights Up the 2027 Calypso Season with “Open Your Eyes”

When “Lenny D Trini” Calls… You Move.

Every now and then, somebody rings your phone, and you immediately know the assignment is serious.

So when Lenny D Trini tells me,

“Boss… yuh HAVE to post this one. It has depth, meaning… plus the melody is sweetttt fuh days!”

I didn’t hesitate. If we’re starting the season at this level, then Trinidad & Tobago is in for a real treat—and producers like Kenny Phillips better come prepared with their A‑game to keep up.

Today’s feature is a calypso with purpose, clarity, and cultural weight.

🎶 Keipalo – “Open Your Eyes”

“Open Your Eyes” is a powerful, message‑driven calypso that calls for unity, self‑awareness, and resilience within the Black community. Keipalo isn’t just singing—he's reasoning, reminding, and awakening.

Key Themes

Overcoming adversity:  

The song insists that no challenge is too formidable and that the moment to shine has arrived.

Ancestral strength:  

Keipalo grounds listeners in heritage, invoking ancestors as “kings and queens”—a reminder of dignity and lineage.

Unity and action:  

The song is a call to “wake up,” “stand firm,” and “unite” to build a stronger, more conscious future.

Throughout the track, the metaphor of opening one’s eyes becomes a spiritual and cultural awakening—a push toward clarity, purpose, and fulfilling one’s true potential. Faith, prophecy, and identity weave through the lyrics, giving the song both emotional and historical weight.

This is calypso with a backbone.

Calypso with intention.

Calypso that reminds us of who we are.

The season will be serious business if this is the energy we're starting with! 

This is Lenny's take on the song:

"Fasten Your Seatbelts—The 2027 Calypso/Kaiso Season Has Officially Lifted Off

Folks, if this is the start of the 2027 Calypso/Kaiso season, then I suggest you fasten your seatbelts and tune up your musical helmets, because we are in for a real treat.

Get familiar with this young, semi‑newcomer, Keith Bishop, known as Keipalo—a name born from “Keith from Paloseco.” Now residing in Canada, he’s making a strong comeback to the Calypso arena with his new track “Open Your Eyes.”

This song delivers a meaningful and wide‑awake message to the nation, especially to our youth. Keipalo urges them to choose life, not death, at a time when violence continues to plague our land and our society. The lyrics are clean, sharp, and straight to the point, giving a clear vision of what he’s pouring out. And the melody? The melody is sweet enough to hold your attention from start to finish.

Well done, Keipalo—and best wishes for the 2027 Carnival season and beyond."

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Song Title: Open Your Eyes

Artist/Performed by: KeiPalo

Written/Composed by: Keith Bishop

Produced/Mixed and Mastered by: GQ Maxzmum

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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Le Gran Z’Affaire 2026: The Culture Takes the Stage

Trinidad and Tobago’s cultural heartbeat comes alive this Sunday, September 13, 2026, at 6:00 p.m., when Le Gran Z’Affaire unfolds at the National Academy for the Performing Arts (NAPA), Port of Spain. This marquee event of the Prime Minister’s Best Village Trophy Competition celebrates artistry, heritage, and community pride all wrapped up in this year's theme, "The Heart of Culture!"

The evening’s highlight—Miss La Reine Rive—shows nine talented finalists representing their communities through cultural expression, confidence, and creativity:

Aaliyah Hinds, Daliyah Gopaul, Sarah Manoo, Philisa Eligon, Chelsea Thomas, Waynia Mulzac, Ashleigh Ayoung, Keira Sammy, and Davanne Marshall.

Expect elegance, storytelling, and the vibrant rhythm of Trinidad and Tobago’s living culture—all under one roof at NAPA.

Featured Music/Soca/Calypso Insight

🎧 Listen. Share. Amplify. Our artists embody culture not only during Carnival but also every single day. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!

Find us online:

Facebook, YouTube, Instagram, Spotify, SoundCloud, Threads, Bluesky, Twitter/X, Email Subscriptions and Feedspot. Feedspot is an RSS Reader that lets you subscribe to blogs, news sites, and any website you want to keep up with: https://bloggers.feedspot.com/soca_blogs/

Thank you for supporting Caribbean music and culture.

Production Notes/Music Credits:

Event: Best Village Le Gran Z'Affaire 2026

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Best Village Culture 🎶

Need this article in another language? Google Translate, Traducción, Traduction 

Google Translate is available on this page—choose your preferred language from the dropdown to read this post in Spanish, French, or any language you prefer.

Fair Use & Copyright Notice:

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act of 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Classic Calypso Soca by DJ Chucky

Classic Calypso Soca mixed by DJ Chucky. 

We don't have much to say for this post because the music speaks for itself. Today we present some classic songs that you may have forgotten but will surely bring back pleasant memories. Enjoy the music and don't forget to share this post with your social media contacts. 

  

Let's take our culture places.

Our goal is to help promote the music and culture of our Caribbean artists. This includes singers, musicians, producers, songwriters, and everyone involved in the creative process. Together we can promote and spread the culture by sharing these posts on all social media platforms. We are on Facebook; Twitter; Youtube; Instagram and Soundcloud. All our posts are available on Feedburner/Feeds and via email subscription: Get Sokah2Soca delivered by Email; Thank you in advance. 

Production Notes/Music Credits:

Mix Title: Classic Calypso Soca 
Mixed by: DJ Chucky 

Link to Dj Chuck on SoundCloud: 

https://soundcloud.com/oasissounds-479575745/tracks

For Promotional Use Only

Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music: and, it is presented here for promotional use only. We encourage you to promote the artists and their music; please do not download and share the music, as this robs the artists of needed income! Music for sale should be purchased while music distributed for promotional purposes should be treated as such and not recorded and shared!

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The Talk of the Town: Kurt Allen, TUCO, and the Crossroads of Calypso Leadership

In Trinidad right now, the calypso fraternity is buzzing louder than a rhythm section on Carnival Tuesday. The upcoming leadership race within the Trinbago Unified Calypsonians’ Organization (TUCO) has become the latest cultural flashpoint—and at the center of it all stands Kurt Allen, the master storyteller, social commentator, and self‑styled Last Badjohn of Calypso. 

But this event isn’t happening in a vacuum.

The conversation also circles Ainsley King, the current president of TUCO, whose tenure has shaped the organization’s recent direction and who now faces a high‑profile challenge.

This is more than an election — it’s a cultural crossroads.

What should have been a routine organizational election has instead become a national conversation. And like all things Kaiso, it’s layered with history, personality, power, and plenty of picong.

The Controversy: Who’s Pulling Strings?

The big talk circulating across social media, calypso circles, and rum shops alike is the claim that Kenny Phillips—producer (and producer of Kurt's songs), broadcaster, personal friend of Kurt Allen, and longtime cultural figure—is allegedly encouraging or “prompting” Kurt Allen to run for TUCO president.

Some voices are suggesting that this move could give Phillips undue influence over the organization. Others argue that the situation is simply politics as usual in a space where alliances, mentorships, and cultural networks have always shaped leadership.

These are accusations, not confirmed facts — and as with any political moment, it’s important for the public to verify information through trusted sources.

But what’s undeniable is this:

The issue has ignited a debate about TUCO's future direction and the kind of leadership calypso needs right now.

The Candidate: Can the Last Badjohn Lead the Camp?

Kurt Allen is not just another calypsonian.

He is a cultural force—a man whose performances blend theater, satire, political commentary, and raw social truth. His persona as The Last Badjohn is rooted in the tradition of the fearless calypsonian who speaks truth to power, challenges systems, and defends the artform’s integrity.

So the real question emerging is the following:

Can Kurt Allen translate his artistic fire into organizational leadership?

Here are the perspectives circulating in the public space:

• Supporters say his boldness, creativity, and profound understanding of calypso’s purpose make him the right person to shake up TUCO and restore confidence in the institution.
• Skeptics worry that his theatrical persona may not align with the administrative, diplomatic, and structural demands of running a national cultural body.
• Traditionalists argue that TUCO needs stability, not spectacle.
• Younger calypso voices are calling for modernization, transparency, and a leader who can bridge the gap between the old guard and the new wave.

What’s clear is that Kurt Allen’s candidacy has energized a conversation that calypso has needed for years:

What kind of leadership does the artform deserve?

The Bigger Picture: Why This Moment Matters

TUCO is more than an association—it is the guardian of a national artform. Its leadership shapes:

• how calypsonians are represented
• how competitions are run
• how the culture is preserved
• how the next generation is nurtured
• how calypso is positioned on the world stage

This election is not just about personalities.

It’s about the future of Kaiso.

Whether Kurt Allen becomes president or not, the controversy has already done something important:

It has forced Trinidad and Tobago to look closely at the state of calypso governance and ask tough questions about accountability, influence, and vision.

A Cultural Crossroads

The debate surrounding Kurt Allen’s run — and the accusations involving Kenny Phillips — shows just how deeply people care about calypso’s direction. It’s messy, passionate, and full of picong, but that’s the heartbeat of the culture.

What happens next will depend on the members of TUCO, the transparency of the process, and the willingness of the fraternity to choose a leader who can balance tradition with transformation.

One thing is certain:

Calypso is alive, and the conversation is proof.  

And as always, Kaiso Dial will be here to document every beat of the story.

In the end, for everyone who has a ‘horse in the race,’ this is the moment to think beyond personal ties and familiar loyalties. Calypso’s future demands big‑picture vision—not just for today’s headlines, but for the generations who will inherit this artform. As Black Stalin reminded us in “Nothing Come Easy,” progress is built on struggle, discipline, and the willingness to choose what strengthens the movement, not what comforts us. Let that spirit guide the decision ahead.

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Notes:

Politics in Calypso: Trinidad and Tobago Calypsonian Organization Elections

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act of 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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The Missed Kaiso Collection Trinidad 2026 – Vol. 6

Volume 6 continues our mission to spotlight the calypsos that slipped past the Carnival 2026 rush—not forgotten, just waiting for their rightful moment. This installment brings together another set of powerful voices, sharp commentary, and melodies that remind us why Kaiso remains one of the Caribbean’s most important storytelling traditions.

These songs may not have dominated the season’s frontline, but they carry the depth, humor, and cultural weight that define true calypso. Each track adds its layer to the tapestry of 2026 — from social reflection to lyrical mischief to the kind of melodic phrasing that only seasoned calypsonians can deliver.

As always, this series isn’t about ranking or judging. It’s about preserving the work, giving overdue visibility, and celebrating the artists who continue to shape the culture.

Volume 6 stands as another chapter in this curated collection—a reminder that even outside the Carnival spotlight, Kaiso continues to thrive, evolve, and speak truth.

Songs in this listing: 

Each song has to play to the end before the next song on the YouTube player.

• Power in the Blood—Anastacia Richardson
• One More Chance—Hammond "Slick" Bruce
• Love in the Island—Shelly "Sweetshells" Rahim 
• De Tears of Our Nation - Shamika Denoon
• Nobody Wins—Karene Asch

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act of 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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The Rhythm Holds Steady – The Missed Kaiso Collection 2026 (Vol. 5)

The rhythm continues. As we reach the fifth installment of The Missed Kaiso Collection 2026, this post brings another five calypsos that slipped beneath the Carnival spotlight yet remain essential to the season’s emotional, social, and cultural pulse. Each track carries its weight—tender, rebellious, purposeful, or playful—reminding us why Kaiso endures as both art and archive.

This is Post Number Five in the collection—five more songs, five more reasons to celebrate the enduring brilliance of Kaiso. And on this YouTube playlist, each song plays to the end before the next begins, giving every artist their full moment to breathe, resonate, and be heard.

From Melissa Rodriguez’s heartfelt Still In Love to Brian London’s sharp social coding in ’D Only Code, Dyno’s introspective Purpose, De Juba’s mischievous yet pointed Boundary Bacchanal, and Nikko Ashby’s investigative storytelling in Special Assignment—this set captures the full spectrum of what Kaiso does best.

These songs remind us that Kaiso is not just melody; it is message. It is memory. It is the unfiltered voice of a people who continue to reason, rebel, romance, and reveal through rhythm. With each post, we reclaim space for the artists who shaped Carnival 2026 from the margins, ensuring that Kaiso Dial documents the whole story—one post, one rhythm, one revelation at a time.

Songs in this listing: 

Each song has to play to the end before the next song on the YouTube player.

• Still In Love—Melissa Rodriguez
• 'D Only Code—Brian London 
• Purpose—Dyno
• Boundary Bacchanal—De Juba
• Special Assignment—Nikko Ashby  

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act of 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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The Missed Calypso Collection Vol 4 - Trinidad 2026

We continue to deliver the songs that were not posted here for carnival 2026 in Trinidad and Tobago and, with it, the stories we almost missed. As The Missed Kaiso Collection 2026 moves into its fourth installment, these five selections remind us that Kaiso’s power often lives outside the glare of the big stage. These are songs that breathe in the quiet corners of Carnival—songs that speak plainly, boldly, and without apology.

Michelle Henry’s “Enjoy Yuh Life” is a warm insistence on presence, a reminder that joy is not a luxury but a discipline. JayDee’s “Choose to Be Good” turns moral clarity into melody, urging us toward betterment with a simplicity that lands harder than any lecture. Tameka Darius’ “No Love” strips away pretense to confront emotional drought with raw honesty, while Crazy’s “Crazy for Carnival” captures the feverish devotion that keeps the festival alive in the hearts of its people. And Calypsonian Disciple’s “Allyh Wicked” stands as sharp social commentary—calling out hypocrisy with the kind of fearless precision only Kaiso can deliver.

These five songs add to our growing 'missed songs collection' and weave a tapestry of resilience, introspection, humor, and truth. It is a reminder that Kaiso is not merely a soundtrack—it is a compass, conscience, and cultural memory. These are the songs that whisper what the season shouts.

This is Post Number four in the collection—five more songs, five more reasons to celebrate the enduring brilliance of Kaiso.

Songs in this listing: 

Each song has to play to the end before the next song on the YouTube player.

• Enjoy Yuh Life—Michelle Henry
• Choose to be Good—JayDee
• No Love—Tameka Darius
• Crazy For Carnival - Crazy
• Allyh Wicked—Calypsoian Disciple 

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act of 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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The Missed Calypso Collection Vol 3 - Trinidad 2026

The rhythym unfolds and we have the songs. As we journey deeper into The Missed Kaiso Collection 2026, this fourth post brings another five calypsos that slipped beneath the Carnival spotlight yet remain essential to the season’s emotional and political landscape. Each track carries its truth—sharp, soulful, unfiltered—echoing the wit, wisdom, and fearless commentary that define Kaiso’s enduring voice.

From Alicia Richards’ stirring “Change” to Sharlan Dread Wizard Bailey’s charged “Pump It Up," Daddy Chess’ grounded storytelling in “Roof Leaking," Chalkdust’s commanding “Bow Down to Pharaoh," and Curlissa Charles Mapp’s introspective “Identity Crisis”—these songs remind us that Kaiso is never just performance. It is memory. It is critique. It is resistance.

Through this series, we continue reclaiming space for every artist who shaped the soundscape of Carnival 2026, ensuring that Kaiso Dial captures the full story—one post, one rhythm, one revelation at a time.

This is Post Number four in the collection—five more songs, five more reasons to celebrate the enduring brilliance of Kaiso.

Songs in this listing: 

Each song has to play to the end before the next song on the YouTube player.

• Change—Alicia Richards 
• Pump it Up—Sharlan "Dread Wizard" Bailey 
• Roof Leaking—Daddy Chess 
• Bow Down to Pharaoh—Chalkdust
• Identity Crisis—Curlissa Charles Mapp

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act of 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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The Missed Calypso Collection Vol 2 - Trinidad 2026

Post Two — The Missed Kaiso Collection 2026

The rhythm continues. As we move deeper into The Missed Kaiso Collection 2026, this second post brings another set of five calypsos that were overlooked in Carnival coverage but remain essential to the season’s story. These songs echo the pulse of the people — witty, reflective, and unafraid to speak truth wrapped in melody.

Each track reminds us that Kaiso is more than performance; it’s commentary, memory, and resistance. These voices, though missed in the rush of the season, deserve to be heard and felt. Through this series, we’re reclaiming space for every artist who shaped the soundscape of Carnival 2026, ensuring that Kaiso Dial tells the full story—one post, one rhythm, and one revelation at a time.

This is Post Number Two in the collection—five more songs, five more reasons to celebrate the enduring brilliance of Kaiso.

Songs in this listing:

Each song has to play to the end before the next song on the YouTube player.

• Ship Runs Aground—Sir Charles
• Brink of Extinction—AbiYah Yisrael
• My First Love—Sexy Suzy
• One Caribbean—Chalkdust
• Sacrifice—Nichole Thomas-Clarke

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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The Missed Calypso Collection Vol 1 - Trinidad 2026

These five calypsos slipped past our Carnival 2026 coverage, but they deserve their moment in the spotlight. This series brings forward the songs we didn’t get to feature during the season—timeless voices, sharp storytelling, and pure Kaiso energy finally getting their play.

We will present eight posts, each featuring five songs, to ensure that Kaiso Dial includes all the songs. This is post number one. 

Songs in this listing:

Each song has to play to the end before the next song on the YouTube player.

• Thy Servant Heareth—Arnold Jordan
• Show More Respect—Leon Frisco
• Ominira—Nelly Cottoy
• God Is Still Boss—Lani K. 
• Riddim Nation—Khalen

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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