The Rhythm Holds Steady – The Missed Kaiso Collection 2026 (Vol. 5)

The rhythm continues. As we reach the fifth installment of The Missed Kaiso Collection 2026, this post brings another five calypsos that slipped beneath the Carnival spotlight yet remain essential to the season’s emotional, social, and cultural pulse. Each track carries its own weight—tender, rebellious, purposeful, or playful—reminding us why Kaiso endures as both art and archive.

This is Post Number Five in the collection—five more songs, five more reasons to celebrate the enduring brilliance of Kaiso. And on this YouTube playlist, each song plays to the end before the next begins, giving every artist their full moment to breathe, resonate, and be heard.

From Melissa Rodriguez’s heartfelt Still In Love to Brian London’s sharp social coding in ’D Only Code, Dyno’s introspective Purpose, De Juba’s mischievous yet pointed Boundary Bacchanal, and Nikko Ashby’s investigative storytelling in Special Assignment—this set captures the full spectrum of what Kaiso does best.

These songs remind us that Kaiso is not just melody; it is message. It is memory. It is the unfiltered voice of a people who continue to reason, rebel, romance, and reveal through rhythm. With each post, we reclaim space for the artists who shaped Carnival 2026 from the margins, ensuring that Kaiso Dial documents the whole story—one post, one rhythm, one revelation at a time.

Songs in this listing: 

Each song has to play to the end before the next song on the YouTube player.

• Still In Love—Melissa Rodriguez
• 'D Only Code—Brian London 
• Purpose—Dyno
• Boundary Bacchanal—De Juba
• Special Assignment—Nikko Ashby  

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act of 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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The Missed Calypso Collection Vol 4 - Trinidad 2026

We continue to deliver the songs that were not posted here for carnival 2026 in Trinidad and Tobago and, with it, the stories we almost missed. As The Missed Kaiso Collection 2026 moves into its fourth installment, these five selections remind us that Kaiso’s power often lives outside the glare of the big stage. These are songs that breathe in the quiet corners of Carnival—songs that speak plainly, boldly, and without apology.

Michelle Henry’s “Enjoy Yuh Life” is a warm insistence on presence, a reminder that joy is not a luxury but a discipline. JayDee’s “Choose to Be Good” turns moral clarity into melody, urging us toward betterment with a simplicity that lands harder than any lecture. Tameka Darius’ “No Love” strips away pretense to confront emotional drought with raw honesty, while Crazy’s “Crazy for Carnival” captures the feverish devotion that keeps the festival alive in the hearts of its people. And Calypsonian Disciple’s “Allyh Wicked” stands as sharp social commentary—calling out hypocrisy with the kind of fearless precision only Kaiso can deliver.

These five songs add to our growing 'missed songs collection' and weave a tapestry of resilience, introspection, humor, and truth. It is a reminder that Kaiso is not merely a soundtrack—it is a compass, conscience, and cultural memory. These are the songs that whisper what the season shouts.

This is Post Number four in the collection—five more songs, five more reasons to celebrate the enduring brilliance of Kaiso.

Songs in this listing: 

Each song has to play to the end before the next song on the YouTube player.

• Enjoy Yuh Life—Michelle Henry
• Choose to be Good—JayDee
• No Love—Tameka Darius
• Crazy For Carnival - Crazy
• Allyh Wicked—Calypsoian Disciple 

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act of 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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The Missed Calypso Collection Vol 3 - Trinidad 2026

The rhythym unfolds and we have the songs. As we journey deeper into The Missed Kaiso Collection 2026, this fourth post brings another five calypsos that slipped beneath the Carnival spotlight yet remain essential to the season’s emotional and political landscape. Each track carries its truth—sharp, soulful, unfiltered—echoing the wit, wisdom, and fearless commentary that define Kaiso’s enduring voice.

From Alicia Richards’ stirring “Change” to Sharlan Dread Wizard Bailey’s charged “Pump It Up," Daddy Chess’ grounded storytelling in “Roof Leaking," Chalkdust’s commanding “Bow Down to Pharaoh," and Curlissa Charles Mapp’s introspective “Identity Crisis”—these songs remind us that Kaiso is never just performance. It is memory. It is critique. It is resistance.

Through this series, we continue reclaiming space for every artist who shaped the soundscape of Carnival 2026, ensuring that Kaiso Dial captures the full story—one post, one rhythm, one revelation at a time.

This is Post Number four in the collection—five more songs, five more reasons to celebrate the enduring brilliance of Kaiso.

Songs in this listing: 

Each song has to play to the end before the next song on the YouTube player.

• Change—Alicia Richards 
• Pump it Up—Sharlan "Dread Wizard" Bailey 
• Roof Leaking—Daddy Chess 
• Bow Down to Pharaoh—Chalkdust
• Identity Crisis—Curlissa Charles Mapp

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act of 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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The Missed Calypso Collection Vol 2 - Trinidad 2026

Post Two — The Missed Kaiso Collection 2026

The rhythm continues. As we move deeper into The Missed Kaiso Collection 2026, this second post brings another set of five calypsos that were overlooked in Carnival coverage but remain essential to the season’s story. These songs echo the pulse of the people — witty, reflective, and unafraid to speak truth wrapped in melody.

Each track reminds us that Kaiso is more than performance; it’s commentary, memory, and resistance. These voices, though missed in the rush of the season, deserve to be heard and felt. Through this series, we’re reclaiming space for every artist who shaped the soundscape of Carnival 2026, ensuring that Kaiso Dial tells the full story—one post, one rhythm, and one revelation at a time.

This is Post Number Two in the collection—five more songs, five more reasons to celebrate the enduring brilliance of Kaiso.

Songs in this listing:

Each song has to play to the end before the next song on the YouTube player.

• Ship Runs Aground—Sir Charles
• Brink of Extinction—AbiYah Yisrael
• My First Love—Sexy Suzy
• One Caribbean—Chalkdust
• Sacrifice—Nichole Thomas-Clarke

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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The Missed Calypso Collection Vol 1 - Trinidad 2026

These five calypsos slipped past our Carnival 2026 coverage, but they deserve their moment in the spotlight. This series brings forward the songs we didn’t get to feature during the season—timeless voices, sharp storytelling, and pure Kaiso energy finally getting their play.

We will present eight posts, each featuring five songs, to ensure that Kaiso Dial includes all the songs. This is post number one. 

Songs in this listing:

Each song has to play to the end before the next song on the YouTube player.

• Thy Servant Heareth—Arnold Jordan
• Show More Respect—Leon Frisco
• Ominira—Nelly Cottoy
• God Is Still Boss—Lani K. 
• Riddim Nation—Khalen

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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From Sacred to Silly: Palm Sunday’s Dotish Hour Goes Off Script

Repurposed-Sokah2Soca 04/02/2023:  Cat Lick the Butter vs Kaki and Kaka on WACK Visual Radio

If you’re seeking pure comedy, tune in to this exchange between Deso and Kenny on WACK Visual Radio. The second song—the one that got chopped almost immediately—is included below so you can hear the full thing without interruption.  Don't fret; both songs are on the player below the video of Kenny and Deso's mischief moment.

Today carried deep meaning across Trinidad & Tobago as the Christian calendar marked Palm Sunday—a sacred moment of reflection for many. But if you know anything about WACK Visual Radio, you also know that once The Dotish Hour begins, reverence and revelry often collide in the most Trinidadian way.

Hosted by Kenny Phillips and Desmond “Deso” Peters, the program is one of WACK’s most beloved staples — equal parts cultural mischief, musical knowledge, and pure Trinbago humor. And today, the mischief took center stage.

A caller requested Chutney, a common request, and the hosts chose to start the segment with it on Palm Sunday. But this is where the comedy really started. If that caller only knew what would happen next, he would probably rescind that call! In true calypso tradition—where double entendre is an art form—Kenny dropped “The Cat Lick The Butter," and Deso immediately followed with “Kaki and Kaka.”

Chaos. Laughter. Finger‑pointing. Zero chance of either song getting full airplay.

They knew exactly what they were doing — and so did the listeners.

For all the bacchanalia, the moment was genuinely informative. With the entire Chutney catalog at their disposal, both men chose the comedic lane, reminding us how intertwined humor, culture, and music are across our Caribbean genres. If you ever needed proof that we are a Kulture-Krazy people, this was it.

We’ve included both songs below so you can listen in full.

Tell us: Should Kenny and Deso be placed in musical purgatory, or should we free them on good behavior?

Either way, we love them both—and the Dotish Hour remains one of the purest expressions of Trinbagonian cultural joy.

WACK Visual Radio continues to be a pillar of cultural broadcasting, offering not just audio but a full visual experience of the shows we love.

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Chutney 🎶

Song: Kaki and Kaka

Singer: Vedesh Sookoo

Song Title: Cat Lick The Butter

Singer: Lalman Maharaj

For Promotional Use Only

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

Kaki and Kaka x Cat Lick the Butter

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Kaiso Lives Here — The Jumpstart Mixtape Returns

We love Calypso music, and because of that love, we’re taking you back to one of the early gems posted by Mr. Desmond for Sokah2Soca. This mixtape is a nostalgic dive into the roots of Kaiso—a reminder of the songs that shaped the sound and spirit of our culture.

You’ll find yourself reminiscing about classics you may have forgotten, rediscovering melodies that defined Carnival tents and radio waves alike.

Mr. Desmond, a regular on WACK Radio 90.1 FM, continues to champion the art form with his signature passion. His “Mr. Desmond Radio” player is right on the sidebar of this post—so press play, sit back, and let the rhythm take you home.

If you don’t remember some of these tunes, now’s the perfect time to get familiar again.

This is Kaiso at its finest—storytelling, melody, and rhythm intertwined.

Track List:

• Disrespect - Duane O'Connor
• True Calypso - Contender
• Meet Me On The Pavement - Lady Gypsy
• Smoke Dem Out - Pink Panther
• 101% - Mighty Trini
• Cockroach Spray - Bunny B
• Mr. Popular—Kerice Pascall
• Man's Imagination—Ronaldo London
• Wakanda Forever - Megula Simon
• Two-Face - Devon Seale

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

♫Please click the music player button below to listen now (a small triangle in the Music player/TV frame).

Sokah2Soca

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Kaiso Dial Feature: Nookie vs. Hairy Bank — A Calypso Clash of Wit and Wordplay

Today feels like the perfect moment to revisit a conversation that sparked laughter and lively debate in the Island Vybe Philly Radio alumni chat. Ian Jordine threw out a deceptively simple question that quickly turned into a spirited cultural exchange: Which is better—Jamesy P’s “Nookie” or Poorsah’s “Hairy Bank”?

If you’re smiling already, you understand the charm of Calypso’s lyrical mischief. These two songs are masterclasses in double entendre—the art of saying one thing while meaning another—and they remind us that Calypso’s humor is never just for laughs. It’s wit, commentary, and rhythm rolled into one.

The Calypso Tradition of Cleverness

Calypso has always thrived on wordplay, satire, and storytelling. Both “Nookie” and “Hairy Bank” belong to that lineage, using innuendo not as shock value but as a mirror to society’s quirks.

“Nookie” is sleek and rhythmic, its bounce irresistible. Jamesy P’s delivery is both confident and teasing, while the lyrics strike a delicate balance between cheeky and clever.

“Hairy Bank," meanwhile, leans into humor and social observation. Poorsah’s phrasing is more theatrical—less polished, perhaps, but rich in character and cultural flavor.

Each song captures a different facet of Calypso’s genius: one is smooth and export-ready; the other is raw and rooted in local wit.

“Nookie”—The Global Charmer

Released in 2002, “Nookie” became a Caribbean anthem and crossed borders with ease. Its infectious rhythm and playful lyrics propelled it to number 14 on the UK Singles Chart in 2005—a rare feat for a Calypso-rooted track. The song’s brilliance lies in its restraint: suggestive but never crude, teasing but never tasteless. It’s the kind of tune that makes you laugh, dance, and sing along without ever crossing the line.

“Hairy Bank”—The Local Legend

Poorsah’s “Hairy Bank” is a different kind of gem. Its humor is unapologetically Caribbean, built on cultural familiarity and linguistic flair. The title alone is enough to spark curiosity, but the lyrics reveal a songwriter who understands timing, tone, and audience. The song’s popularity among steel orchestras speaks to its rhythmic strength and its ability to translate humor into musical energy—a feat few can pull off.

The Real Question: Crude or Clever?

This is where the debate gets intriguing. Both songs flirt with taboo, but neither descends into vulgarity. Their success lies in the balance between suggestion and sophistication—a dance that Calypso has perfected over generations. “Nookie” wraps its innuendo in melody and charm; “Hairy Bank” delivers its punchlines with cultural authenticity and comedic timing.

In truth, the question isn’t which is better, but which speaks more directly to your sensibilities. Do you prefer the polished, international appeal of Jamesy P’s hit or the earthy humor and local flavor of Poorsah’s classic?

The Verdict

From a global standpoint, “Nookie” edges ahead thanks to its chart success and enduring popularity. Yet “Hairy Bank” remains a cult favorite—a reminder that Calypso’s power lies not just in rhythm but in its ability to make us laugh, blush, and think all at once.

Both songs are triumphs of lyrical wit and cultural expression. They remind us that Calypso isn’t just entertainment—it’s storytelling, satire, and social reflection wrapped in melody and mischief.

So, which one wins your vote?

Join the conversation on Kaiso Dial, where the rhythm meets the reason and every lyric tells a story.

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Song Title: Nookie

Artist/Performed by: Jamesy P

Origin: Saint Vincent, West Indies

Song Title: Hairy Bank

Artist/Performed by: Poorsah

Arranged & played by Willis Williams & Bryan Alexander

Origin: Saint Vincent, West Indies

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).

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When Love Needs No Changing — Stalin’s Timeless Message

Calypso has always spoken to every corner of our lives—politics, humor, social truth, celebration—and today we’re shining a light on another side of the tradition: the love song. This genre is far more than Carnival fire; it holds tenderness too, stories of devotion, affection, and the quiet honesty of the heart.

From the album Just for You, this gem stands as one of Stalin’s most tender offerings—a man speaking straight from the heart, loving his woman fully, freely, and without reservation. No pretense, no performance, no demands. Just love… because she is who she is.

If we learn to love and live this way, there will be peace on earth. Today we have a world that often asks people to change; Stalin reminds us of something simple and deeply human: Real love sees you. Real love accepts you. Real love stays.

Such individuals are rare, much like this master lyrical teacher whose delivery is gentle yet assured, exuding an unmistakable warmth that defines him not only as a calypsonian but also as a storyteller of our everyday humanity. Calypso addressed everything, and today we choose to show that love songs are also part of the genre. “Just The Way You Are” is a reminder that affection doesn’t need decoration—sometimes the purest love is the kind that asks for nothing in return.

I have already said too much but rest assured that here on Kaiso Dial we know truth when we hear it and today, as we close, we know that this  timeless message from a timeless voice needs to be heard and lived. 

“Just The Way You Are” — Black Stalin’s quiet masterpiece of love without conditions. A timeless reminder that real love doesn’t ask you to change. It simply sees you… and stays.

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Song Title: Just The Way You Are

Singer: Leroy Caliste 

Sobriquet: Black Stalin 

Album: Just For You

Label: Charlie's Record - SCR1019

Release Year: 2009

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

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Chuck Gordon’s “Love Mehself” — A Calypso of Healing, Identity, and Inner Power

When you are passionate about your culture, you do not wait until the next carnival season to release new music! Having said that, we cry that Soca artists should continue releasing new music but never do the same for the mother music, Calypso. Today Roderick "Chuck" Gordon is showing how all artists, especially Calypso artists, should proceed. He calls the style 'Jiggy Calypso,' and it is a very meaningful song. This is a beautifully written song, and we know you will love it!

Let's do this... 

With the release of “Love Mehself,” Chuck Gordon invites us on a deeply personal journey—one that begins in Laventille, winds through Port of Spain, and ultimately leads inward. The music video is both a visual and emotional reflection of his roots, his growth, and the realities faced by many in Trinidad and Tobago.

This Calypso speaks to healing, self-reflection, and acceptance. It’s a reminder that transformation begins within—before we can challenge systems or uplift culture, we must first do the internal work.

“Love mehself in the hard times,

Make mehself hold a nice vibes…”

From spaces of tension to moments of peace, the video mirrors the emotional arc of the song—showing that even after the hardest journeys, joy and clarity are still possible.

To anyone facing pressure or uncertainty: breathe, reflect, and choose yourself.

Find a way to love yourself… even in the hard times.

Let us spread awareness of the Caribbean diaspora's culture.

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year-round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube..  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.

Production Notes/Music Credits:

Song Title: Love Mehself

Artist/Performed by: Chuck Gordon 

Written by : Roderick 'Chuck' Gordon

Produced by: Joshua 'Supayouth' Salcedo

Background Vocals by: Aneka 'Ire' Audian

Initial production and arrangement by: Damien 'Crazy D' Preston

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

♫ Please click the small triangle button in the music player below to listen now.

>

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