This is Your Kaiso Dial

Calypso in Action - Sparrow, Gypsy, Stalin, Kitchener

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Keep Smiling Terri-light Up the Dial!

This Is Your Kaiso Dial

We are Dialed-In: Our National Flag

This is Your Kaiso Dial

Colonial Times Calypso L-R Caresser, Atilla the Hun, The Roaring Lion and Lord Executor

This is Your Kaiso Dial

Our National Instrument Panorama - Renegades Steel Orchestra

Sunday, January 11, 2026

KWANZA Celebrations in San Fernando, Trinidad

Dr. David Mohammed and Brother Anthony De Cares were joined by Ras Kommanda, Kinte, Abebele, Hamidullah, and Nerukhi. 

Article by Nerukhi: Anthony De Cares’ 51st Annual Kwanzaa Observance

January 1st 2026 saw the 51st Anniversary of Kings Row/Sanctity Kwanza Observance spearheaded by Anthony De Cares. The event took place at Sancity Steelpan Theatre, Carib Street, San Fernando.

The highly energized and motivated audience was treated to an evening of inspirational lectures, dynamic calypso performances, African drumming, and displays of fine art, crafts, and jewelry, as well as recent publications and historical and cultural information.

Bro De Cares emphasized the importance of Unity and purpose and addressed the need for the community to become single-minded if important goals were to be accomplished.

The feature address was by Dr. David Mohammad (recently appointed Chairman of the board of NALIS), who in his powerful and compact address re-emphasized the need for unity and the importance of support for each other in developing self-sustaining communities and society. He also addressed the critical role that thoughts play in perception and decision-making and the need for us to carry proper thoughts.

Sis Jemma Joseph of the Southern Emancipation Committee shared the seven principles of Kwanzaa—Umoja (unity), Kujichagulia (self-determination), Ujima (collective work and responsibility), Ujamaa (cooperative economics), Nia (purpose), Kuumba (creativity), and Imani (faith).

Awards were distributed to John Barnard (founding member), Joseph Alexis, Mrs. Ann Arrindell, and Bro. Selvon Omari Samuel.

The audience was treated to performances by Veteran Calypsonians Abebele, Ras Kommanda, Kinte, Hamidullah and El Drago as well as inspirational songs from Nerukhi, sweet sweet pan from Allan Cardinale, Afro drumming from Ujama Ambatana, and sweet sweet pan from Allan Cardinale.

Also featured in the evening were a book display by Bro. Selvon Omari Samual, jewelry by Bro. Perrot, an informative display by Afro Image, and a display of fine art by National Artist Nerukhi.

Code 868: Candy Kay Stands Firm in Love for Home


This is a short catch‑up post while we process the surge of new calypso drops.

Code 868 speaks to the realities many citizens face while holding on to pride, faith, and love for Trinidad and Tobago. Candy Kay acknowledges fear, frustration, and the pressures that push people to consider migrating, yet she makes a heartfelt case for staying rooted in home and identity.

The song addresses some of the reasons people have for leaving—feeling unsafe, feeling under strain—with reminders of what makes Trinidad and Tobago a “blessed island” and a “party nation.”  Indeed, Trinidad is a beautiful nation, and everywhere you go, there are unsavory agents in society. Yes, there may be problems, but this is still a beautiful nation and home.  Candy makes her case and sells it brilliantly. 

For those abroad, the message may feel personal. But the deeper point stands: leaving doesn’t mean loving home any less. Code 868 simply invites reflection on what binds us to our country, wherever we live.

Production Notes/Music Credits:
Song Title: Code 868
Artist/Performed by: Candy Kay 
Written by: Colin “CJ” Jackman & Jason “Stumps” Lewis
Arranged, Produced, Mixed & Mastered by: Roland Richards
All Instruments Played by: Roland Richards
Recorded at: Yardsoul, New Jersey, USA
Vocals Recorded at: Candy Kay Recording Studio
Background Vocals: Candy Kay
Video Animation: Candice “Candy Kay” Corbie
Photography: Amanda Elliott Media
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Sinking Ship: Kilu & Freetown Collective Sound the Alarm


Kilu & Freetown Collective revisit one of calypso’s most iconic metaphors—the sinking ship—and steer it into a new generation. Where Gypsy once warned a nation about drifting off course, this 2026 "Sinking Ship" feels like a meditation on decline, memory, and responsibility. The song warns about wars and that we don't want any war in the region.

The song looks back to a time when things used to shine brighter, when the country moved in harmony, and when hope felt easier to hold. Times may have changed and themes added, but the story is the same. Nostalgia is contrasted with a stark refrain: the ship is sinking. Things are not getting better and despair is at hand. Hunger is increasing, pressure is mounting, and the future appears increasingly fragile.

Yet even in the middle of the storm, the song refuses despair. There’s a pledge to serve my country, Tobago and Trinidad, a call for more care, more love, and a firm declaration that we want no war here. The urgency is unmistakable—the “captain’s blood pressure is really low,” and the choice becomes clear: abandon ship or repair it together.

A modern take on a timeless warning—delivered with heart, harmony, and a plea for unity.

Production Notes/Music Credits:
Song Title: Sinking Ship 
Artist/Performed by: Kilu & Freetown Collective
Produced by: Zackry Griffith 
Written by: Aklilu "Kilu" Joseph, Muhammed Muwakil, Winston "Gypsy" Peters & Lou Lyons
Instruments by: Denilson Gulston, Ahren Maynard 
Mixed & Mastered by: Christon Guevara
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

A Little Power: Calypso Takes Aim at Political Incompetence


This is a short catch‑up post while we process the surge of new calypso drops.

While a cut in water may not leave marks, a Calypsonian's critique of a situation leaves many with bruises and political scars.  "A Little Power" is one of those situations where the modern-day griot scrutinizes the consequences of unprepared, image-driven, and overpowered leadership. Most individuals elected into positions of power lack the ability to know when to stop speaking! The calypso frames “a little power” as a dangerous thing—especially when those in charge rise to their level of incompetence.

The singer calls out gaslighting and propaganda and nonstop PR missteps, contrasting polished appearances with the absence of real leadership. While serious issues demand attention, the song highlights officials more focused on selfies and staged moments rather than good governance that delivers on promises made. That is the key to successful governance: promises made and promises kept. The critique extends to historical missteps, pointing to public figures who misrepresent foundational national history.

With Leston Paul’s production giving the song its weight, Seale delivers a performance that drops lyrical “bombs” on foolish comments and actions from those in office. It’s classic political calypso—sharp, witty, and unafraid to challenge the status quo.

YouTube Music Release Notes:
This government is about excess... plenty of PR plus nonstop propaganda to cover up their obvious failings.

This calypso captures a government whose leadership seems intent on proving the truth of the Peter Principle. Members of an organization tend to rise or be promoted until they reach their level of incompetence.

Production Notes/Music Credits:
Song Title: A Little Power 
Artist/Performed by: Devon Seale 
Composed by: Marlon Rondon
Produced by: Leston Paul 
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

No Validation: Brother Mark Stands Firm in His Truth


A brief catch‑up post as we work to feature all the new Carnival 2026 releases.

Brother Mark steps forward with a calypso rooted in conviction, ancestry, and unapologetic truth‑telling. "No Validation" is his declaration that he answers to no system, no gatekeeper, and no chorus of approval. He sings the truth like Calypsonians of the past with stinging lyrical content that does not need approval from anyone. 

He asserts to the listener that he represents the collective voice of the people, resolutely adhering to the truth without any compromise or manipulation. He is the true reporter, bringing the facts for the people to decide the outcome. His story as a calypsonian is about legacy. He emphasized that it stretches far beyond likes, trends, or digital noise. Built on struggle, protest, and ancestral fire, his voice is not one that can be filtered, silenced, or shaped to please Babylon.

Cowering to bullies and bigshots and political power is not the hallmark of a  good calypsonian. Allowing the system of class to dictate the message will not sit well with him.  He doesn’t perform for validation—he performs for truth. With lines about royalty, dignity, and a spirit too strong for “data to purge,” Brother Mark positions himself as an independent force, grounded in purpose and protected by heritage.

After all is said and done, one can only say that he is a  fearless calypsonian, standing firm in his lane.

Production Notes/Music Credits:
Song Title: No Validation 
Artist/Performed by: McMorris "Brother Mark" Edwards 
Composed and Arranged by: Mc Morris Edwards
Background Vocals by: Roxann Singh
Guitar by: Mc Morris Edwards
Mixed and Mastered by: Josheph Tompson at Ebony Sound Factory 
Recorded at: Caribbean Pulse Recording Studio
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Saturday, January 10, 2026

Jail Wasn’t Built for Only Poor Man — Ras Kommanda Fires Back with "My Crime Plan"


This is a brief catch-up post as we work to feature all the new Carnival 2026 releases.

Ras Kommanda enters the conversation with a calypso that combines elements of satire, frustration, and social truth. Through a reasoning with a friend, he lays out a bold new “crime plan”: if Trinidad really wants to tackle crime, start by jailing a millionaire every month.

The song argues that corrupt millionaires—the ones with access, influence, and deep pockets—play a major role in the flow of guns, drugs, and dirty money. Meanwhile, poor people fill up the jails, while the “big criminals,” often disguised in suits and titles, walk free on bail before they even feel hungry.

Kommanda challenges the long‑standing imbalance: jail wasn’t built for only poor men. White‑collar crime, he says, is rampant, yet untouched. The voice of the Calypso is powerful, and Ras Kommanda calls out hypocrisy, selective justice, and the way the system shields those with power while punishing those without.

With humor, grit, and a touch of old‑school calypso bite, My Crime Plan pushes listeners to question who really benefits from the current system—and who the real criminals might be.

Production Notes/Music Credits:
Song Title: My Crime Plan 
Artist/Performed by: Ras Kommanda 
Produced by: Ebony Sound Factory
Mastered by: GQ MAXziMUM
Brass by: G Note Studio
Background Vocals by: Roxy Singh
Guitar by: Kyle Peters
Artwork  by: Travis Narine
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

A Call for Peace: Sheldon Nugget Sends a Message to the Superpowers


This is a brief update as we continue to showcase all the new releases for Carnival 2026.

This is one of the songs with a timely message. "A Call for Peace" is not just a calypso—it’s a Caribbean cry for sanity. Sheldon Nugget delivers a bold, emotional plea against the recent aggression in the region, calling out the madness of war and the recklessness of superpowers. With lyrical clarity, he reminds us: we don’t want missiles, we want music.

The world is watching, with superpowers eager to follow suit, salivating at the prospect of starting their own conquests. From Venezuela to Trinidad, from gas tanks to diplomacy, this song is a reminder that Caribbean people want to party, free up, and live in peace—not become pawns in global conflict. The message is clear: it's time to reposition the warships.

This song serves as a timely and necessary calypso. Sheldon Nugget wrote and composed the song, NuggVision produced it, and Neils Subero engineered it. This is a calypso that should be playing constantly, but Trinidadian radio stations are too caught up with the wine and grind Soca music releases. They are missing out on a Calypso gem!

Please leave your comments here and on the artist YouTube song post. Please share the post with your social media contacts to help promote the artist and song, as well as Kaiso Dial. 

Production Notes/Music Credits:
Song Title: A Call for Peace 
Artist/Performed by: Sheldon Nugget 
Song Title: A Call For Peace 
Written & Composed by: Sheldon Nugget.
Music Produced By: NuggVision
Mixed/Mastered By: Neil Subero 
Live Guitar: MC Morris Edwards
Background Vocals by: Stacy D and Lypsoman
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Tory Time: Chuck Gordon Buss the La Couray


One of our short catch‑up posts to ensure every new calypso gets its space on Kaiso Dial.

“Mout’ Open, ’Tory Jump Out”—and we’re off to the races. In this instance, we sit back and let the voice of the people tell it like it is. From the moment the fiddle bow drags and la couray buss, Chuck Gordon steps up to deliver the people’s report.

For those visiting this site for the first time or who are just unfamiliar with Trini-Lingo, 'Tory Time is simply story time. "Mout' Open 'Tory Jump Out" is a Trinidad proverb that means as soon as someone starts talking, hidden information or a secret “comes ”out"—often more than they planned or were expected to say. Credit Perplexity. 

Trinis pretend they don't want to hear this kind of story, but in reality, they are already prepared with their popcorn. Politics, picong, rum-talk, bad minds, elections, artists—everyone gets a touch-up. Laugh, cry, or cuss if you must, but don’t act surprised… allyuh too mauvaise langue.

Chuck didn’t hold back. Politicians from both sides—red and yellow—get licks. A well-known calypsonian who had one too many and decided to bad-talk the whole art form? He gets called out. Then, there was a shout-out to “The Killa from Trinidad” for his inappropriate posts on YouTube, where he criticized Trini Soca and praised Grenada instead.

This one was salty, saucy, and full of Moruga Scorpion pepper. Chuck Gordon was doing what he does best—delivering truth with sting and style. Now please remember to share this post with your social media contacts and leave your comments here. We really want you to interact with us.

YouTube Release Notes:
"This is not just a song—it’s a tory.
From the moment the fiddle bow drag and la couray buss, the Calypsonian steps up Tobago speech band style to tell the kind of story people pretend they doh want to hear. Politics, picong, rum-talk, bad mind, elections, artistes—everybody get a touch up. Laugh, cry, or cuss if yuh must, but doh act surprised… allyuh too mauvaise langue."

Production Notes/Music Credits:
Song Title: Tory Time 
Artist/Performed by: Chuck Gordon 
Written by: Marvin Mason
Produced by: Damion 'Crazy D' Preston
Mixed and Mastered by: Madman Johann (Johann Seaton)
Lyric Video/Animation by: Rembunction
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Soca music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word.  👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Words Have Power: Fallon Calls for Kindness in Speech


This is a quick catch-up post as we continue to share the abundance of new Carnival 2026 calypsos.

"Oh Kaiso boi." "Words Have Power" is a calypso of conscience—a lyrical reminder that words carry weight. Falon urges us to speak with care, knowing that what we say can uplift or harm, heal or divide. From everyday interactions to spiritual reflection, the song explores how language shapes relationships, communities, and even salvation.

Kudos to Nicole Greenidge, the songwriter, and the production team of Damion Preston and Neil Mai (executive producer). We like Fallon's singing style, deliberate, singing with passion and lyrical purpose. With lines like “What goes around comes around,” the message is clear: choose your words wisely. Because in Carnival and in life, words have power—they can uplift or demean. Indeed, at Kaiso Dial, we firmly believe that we must demonstrate greater love and kindness during these uncertain times. 

Well done, Fallon and kudos again to the production team. We now ask our readers to comment on the song. Go to the artist's YouTube post and leave words of encouragement. After all, you should choose your words wisely. Why? Simply put, "Words Have Power!"

Production Notes/Music Credits:
Song Title: Power of Words
Artist/Performed by: Fallon 
Written by: Nicole Greenidge
Produced by: Damion Preston 
Executive Producer: Neil Mattei
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).