This is Your Kaiso Dial

Calypso in Action - Sparrow, Gypsy, Stalin, Kitchener

This is Your Kaiso Dial

Keep Smiling Terri-light Up the Dial!

This Is Your Kaiso Dial

We are Dialed-In: Our National Flag

This is Your Kaiso Dial

Colonial Times Calypso L-R Caresser, Atilla the Hun, The Roaring Lion and Lord Executor

This is Your Kaiso Dial

Our National Instrument Panorama - Renegades Steel Orchestra

Tuesday, January 20, 2026

NACC Young King Calypso Monarch Semifinals 2026 — Where Tomorrow’s Kings Rise


The Young Kings Calypso Monarch Semifinals took place last night at the John Cupid Carnival Village, Queen’s Park Savannah, Port of Spain—and the future of calypso was unmistakably on display. The 2026 semifinal round featured a vibrant lineup of talented young singers, each delivering intriguing, thought‑provoking songs in their quest for a spot in the finals.

The full broadcast ran nearly four hours, but we’ve curated individual performances for easy viewing—courtesy of WACK Visual Radio 90.1FM. Watch them all or dive into the ones that catch your ear. There were a few surprises, with some songs being heard for the first time. Note  Sherwin "Becomer" Babb and his delivery of his calypso, titled "Voicemail to Mother Kamla."

So sit back, tune in, and enjoy a showcase of calypso excellence from the next generation brought to you by the National Action Cultural Committee (NACC): There are 30 singers performing songs that will have you saying, "Kaiso, Kaiso." Yes, Kaiso!

The names with the wine glasses represent the contestants advancing to the finals.

 Congratulations to all who made it through. And to those who didn’t advance this time, we salute you—you are the future of the artform. Keep writing, keep singing, and keep carrying Calypso forward. 

Here’s a list of the semifinalists:
  • Aaron DuncanBirthplace 🍷
  • Oscar “Oscar B” BenjaminAI Versus Man 🍷
  • Marq Pierre—How Yuh Feeling 🍷
  • Darwren “Pharaoh” GreenidgeBe Sharpe 🍷
  • Ronald BrathwaiteSweet Like Honey
  • Sherwin “Becomer” BabbVoicemail to Mother Kamla 🍷
  • Akeem “Preedy” ChanceJamming 🍷
  • Rawle "Ratel" Peters—One Hand Do Clap
  • Kyle “KC” CowieWah We Fighting For
  • Caston CupidMr Robert Ball 🍷
  • Dave Maikoo (PAE3OT)—Mother Music 🍷 
  • O'Neal Lighboutne aka Bro. Lighbourne—Art of Peace
  • Sheldon “Sheldon Nugget” Bullen—A Call for Peace
  • Kadeem Graham—A Better Way 🍷
  • Aaron SinnetteBeneath the Ashes
  • Khalen Alexander (Khalen)Riddim Nation
  • Junior "Mr. Famous” NoelAfrica Rising 🍷
  • Oluseyi “Seyi” Moraldo-Bowen (Seyi)We Love Soca
  • Andre NelsonYuh Cyah Stop D Music 🍷
  • Nicholas “Nikko Ash” AshbySpecial Assignment 🍷
  • Vivial Lockhart aka Young Poser—One For Errol
  • Robert “Master G” DeaneDoh Put Mih Dey 🍷
  • Rivaldo LondonWater Thicker 🍷 
  • Sean Singh (IFA)—Puppet Master 
  • Sekon Alves—Topic
  • Nyol ManswellMy Prayer for Peace 🍷
  • Alex “Tobago Chalkie” Gift (Tobago Chalkie)—I’m Busy
  • Devon HarrisDuck De Wuk
  • Anthony JulienCost of Living
  • Niklas “St Nick” Shashie GosineTribute to Calypsonians 🍷
Production Notes/Music Credits:
Young King Calypso Monarch: Semi-Finals 2026
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Under‑21 Youth Panorama Finals — Invaders Youth Steel Orchestra Takes the Title—NJPFU21


Something different unfolded this year in the Junior Panorama calendar. Instead of the usual staggered schedule, both the Under‑19 and Under‑21 categories held their finals together on Sunday, January 18, 2026, at the Queen’s Park Savannah in Port of Spain. The Schools' Panorama Finals are still scheduled for Monday, January 19, but the youth bands showcased their talents a day earlier.

This post highlights the Under‑21 Finals, where Invaders Youth Steel Orchestra delivered a standout performance of Edwin “Crazy” Ayoung’s classic “Band from Space” to claim the top spot. You can explore the music and judge the performances for yourself, as we list the full results for the category below.

Youth Panorama continues to evolve, and this year’s shift in scheduling gave the Under‑19 and Under‑21 players their spotlight—a well‑deserved moment for the next generation of pan excellence.

National Junior Panorama Final 2026 Results:
1stShell Invaders Youth Steel Orchestra—Band from Space—Edwin "Crazy" Ayoung—291 Points 
2nd—BP Renegades Youth Steel Orchestra—Jamtown—Coutain x Tano—290
3rdSupernova Youth Steel Orchestra—Jamtown—Coutain x Tano—280
3rdTropical Angel Harps Youth Steel Orchestra—This Melody Sweet—Timothy Watkins—280
5thTrinidad All Stars Youth Steel Orchestra—Ah Feeling To Party—Black Stalin—277
6thFonclaire Juniors—Jamtown—Coutain x Tano—275
7thDesperadoes Youth Steel Orchestra—Too Own Way—Aaron "Voice" St. Louis—270
8thUptown Fascinators Youth Steel Orchestra—Kettle Pot—Yung Bredda—268 

Production Notes/Music Credits:
Panorama 2026: National Junior Panorama Finals (NJPFU21)
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Steelband Music 🎶

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Monday, January 19, 2026

Ricardo " Daddy Chinee" Melville: It's Showtime


Ricardo “Daddy Chinee” Melville: A Voice Without Borders
@Kerice Pascall.

Ricardo “Daddy Chinee” Melville stands as a true symbol of versatility in the Trinidad and Tobago music industry. Known for his seamless crossover across Soca, Chutney Soca, Reggae, and Soca Parang, Daddy Chinee has built a career that transcends genre and geography.

Born in Tobago and raised in Trinidad, his musical journey began at just 13 years old. By 18, he stepped onto the professional stage, debuting at the Toco Composite High School graduation ceremony—an early sign of the powerhouse performer he would become. Over the years, his voice has carried him across the Caribbean, North America, and Europe, with performances in countries such as Barbados, Guyana, Canada, the United States, the Netherlands, and Spain.

Daddy Chinee’s career is marked by collaborations with some of the region’s most respected bands, including the Roy Cape Allstars, Sound Revolution, Jah Vibes, Melobugs, T&Tec Gayatones, Trishul, Dil-E-Nadan, and his own former band, Hipnotic. He is currently a featured member of RG The Band, led by Rishi Gayadeen.

What truly sets Daddy Chinee apart is his passion for live performance. He thrives on the energy of the crowd, describing the exchange between performer and audience as the heartbeat of his craft. That connection—raw, electric, and genuine—has earned him admiration at home and abroad, cementing his place as a respected and enduring force in Caribbean music.

For 2026 Daddy Chinee has Released 

  • She Gone—Daddy Chinee & RG The Band
  • D'Goddess—Daddy Chinee & RG The Band
  • Barrackpore Wedding—Daddy Chinee x Neeshad Sultan
  • Together —Daddy Chinee & TG The Band

You can catch Daddy Chinee at the Kaiso Showcase, which will be open.

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Small Conventional Steelband Finals 2026: Southern Stars & Uptown Fascinators Tie at Skinner Park


Skinner Park was alive on Saturday, January 10, 2026, as the Small Conventional Steelband finals delivered the first real jolt of Panorama electricity for the season. Southern Stars and Uptown Fascinators emerged victorious with 283 points, while Golden Hands Steel Orchestra secured a solid third position with 278 points.

The full top‑ten results and every performance from the finals are listed below, so you can dive in, listen, and decide for yourself—the music always tells its story.

With the Small category secured, the focus now switches to the Medium and Large Conventional bands. Carnival heat is rising fast, and before long the thrill of victory and the agony of defeat will be argued, defended, and dissected by bush judges across Trinidad and the diaspora.

Kaiso Dial will be present throughout the entire event.

Small Conventional Bands Panorama ResultsSCBPF2026 
  1. Southern Stars Steel Orchestra (D'South Band)—Let Us Build A Nation Together—283 Points
  2. Uptown Fascinators Steel Orchestra—Band From Space—283
  3. Golden HandsAll Aboard—278
  4. Tunapuna Tipica Steel OrchestraThe Party Hot Hot Hot
  5. T&TEC New East Side DimensionWater De Garden
  6. Trinidad & Tobago Defence Force Steel Orchestra—All is Yours
  7. Fusion Steel OrchestraSignal for Lara
  8. Fascinators Steel OrchestraBoth of Them
  9. Road Block Steel OrchestraGuitar Pan 
  10. Alpha Pan PioneersTake Me Home/Panasonic Connection—Drunk and Disorderly (Tie)
Production Notes/Music Credits:
Panorama 2026: Small Conventional Bands Finals 
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Steelband Music 🎶
Code: SCBPF2026

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Sunday, January 18, 2026

Live from the Calypso Tent—Kaiso Karavan Standout: Ninja’s Pensioner’s Anthem Wins the Crowd


Live Calypso Tent Performances from Trinidad's 2026 Carnival: The performances, the laughter, the stories and the energy of Calypso 2026. Our first post from the tent features a song that went from a Christmas Parang vibe to a beloved Calypso favorite for 2026: we present the live performance of "Pensioner's Anthem" by Ninja. 

Kenson “Ninja” Neptune lit up the debut night of the Kaiso Karavan Calypso Tent with one of the funniest—and realest—calypsos of the season. Pensioner’s Anthem is a joyful, mischievous reminder that growing older does not mean your life is over. In true calypso fashion, Ninja turns everyday truth into humor and comedy into social commentary.

This one speaks directly to the elders in the audience: after decades of working, raising families, and holding society together, it’s finally time to enjoy the golden years. Ninja urges pensioners to live their best life—spend your pension and NIS, buy nice clothes, pay your bills, eat what you feel for, pop your champagne, and dance without apology. The message is simple and powerful: “Not because you retire… that doesn’t mean you expire.”

The humor lands because it’s true. Too often, society treats older folks as if their story is finished. With wit, rhythm, and a groove that had the tent roaring, Ninja flips this narrative. He pokes fun at family members who suddenly become genuinely interested in your pension card, your property, and your will—all while reminding elders to enjoy their money now, before others fight over it later.

It’s no surprise the song is already one of the most popular calypsos of the year, getting heavy rotation on WACK Visual Radio and building momentum heading into Calypso Fiesta in San Fernando. Expect this one to connect deeply with the crowd—the humor is sharp, the message is uplifting, and the delivery is pure Ninja.

Calypso at its best makes you laugh, think, and celebrate life. Pensioner’s Anthem does all three with style.

Thanks to WACK Visual Radio 90.1 FM for streaming the show and posting Ninja's performance on YouTube. 

Production Notes/Music Credits:
Song Title:  Pensioner's Anthem
Artist/Performed by: Kenson Neptune
Sobriquet: Ninja
Live Performance at: Kaiso Karavan 
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Saturday, January 17, 2026

The Dance Calypso Comeback: Yung Bredda’s "The Messenger" Ready to Mash Up Calypso Fiesta


Yung Bredda will mash up Calypso Fiesta at Skinner Park, San Fernando, on February 7, 2026. His song, "The Messenger," conveys a message of self-belief, resilience, and the importance of learning from the past and ancestors. The music is uplifting, the lyrics are positive, and this song is the kind of Calypso that will have the crowd going wild; it features music to dance to, conscious lyrics, and a vibe that demonstrates how good calypso can be. 

The recurring themes emphasize that success is tied to one's outlook and that personal experiences serve as a guide. The lyrics inspire listeners to pursue their dreams, highlighting their potential to become anything they envision. With positive lyrics, this song will emerge as one of the best for Carnival 2026

Lyrics like
'Cause we young and we free
What we dream we can be
So come on and dream it 
Come along and do it
Push yuhself and build it
Listen to me
They call me the Messenger...

The production team deserves credit for this production. We applaud the reemergence of a well-written 'dance calypso,' which was written by Leeanna Williams, Kellon “Melmin” Daniel, and Ato Williams, and produced by Ato Williams at 5IVE Line Productions.

This song has a pan vibe to it, and one wonders if they leaked it to the steel bands before release. It may have been too late for a big band to play this song, but it would have been great to hear it at Panorama 2026. 

The song highlights the role of the messenger, who tells a true story with the aim of transforming and defending the community. It also stresses the importance of community, draws strength from ancestors, and urges listeners to be solid and resilient and to leave behind negative influences.

We conclude by highlighting this song as a refreshing addition to the Calypso genre. We really like this song; the music is exceptional, we love the brass/live instruments (one of the hallmarks of a quality Calypso production), the songwriting is exceptionally skillful, and Yung Bredda demonstrates his adeptness in navigating both local and Caribbean music genres. Watch for this song to mash up Calypso Fiesta in Sando this year. This song is poised to gain momentum, demonstrating Calypso's triumphant return to Trinidad in 2026.

Production Notes/Music Credits:
Song Title: The Messenger
Artist/Performed by: Yung Bredda
Produced by: Ato Williams @ 5IVE Line Productions.
Written by: Leeanna Williams, Kellon “Melmin” Daniel and Ato Williams.
Background Vocals: Akeita Pierre Williams
Guitars by: Kyle Peters
Bass by: Rodney Alexander
Live Drums: Sheldon Raymond “ Timbales Guy”
Saxophonist: Brandon Christopher
Trumpeter: John Wayne Thomas
Trombonist: Yohance Dickson
Mixed and Mastered by: Carl “Beaver” Henderson
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Thursday, January 15, 2026

Genisa “NISA” St. Hillaire: Elevating Music, Ministry, and Media

Genisa St. Hillaire, more affectionately known as NISA, is a dynamic Trinidadian vocalist whose sound effortlessly blends gospel, jazz, indie, R&B, and Caribbean influences. Renowned for her vocal versatility and emotional depth, NISA is an award-winning recording artist, gifted author, and sought-after vocal coach.

Her artistry has been widely recognized, earning her Female Gospel Artiste of the Year at the Gospel Music Awards of Trinidad & Tobago (GMATT) in both 2018 and 2019. She has also received two Caribbean Gospel Music Marlin Awards (2022) for Most Outstanding Reggae Vocal Performance and Outstanding Music Video, firmly establishing her as one of the region’s most compelling and versatile voices.

Over the past five years, NISA has steadily expanded her fan base while deepening her ministry and artistic reach through authentic, engaging content across social media platforms.

Her work reflects a commitment to honesty, growth, and connection, resonating with audiences both locally and internationally. 

Beyond music
NISA is a respected Radio Personality and Announcer at Guardian Media Limited, where she co-hosts the Afternoon Drive show “The Gridlock Squad” alongside Jadee and Jael on Sky 99.5FM Reloaded.

Through her warmth, wit, and relatability, she connects daily with listeners, offering inspiration, conversation, and community.

Always eager to broaden her musical palette, NISA has competed in NJAC’s Calypso Queens Competition three times, placing 6th with “Makit Playce” and 10th with “Life in Leggings.”

This year she advanced to the inaugural Semi-Final round of the competition with her song “Relations.”

The piece explores four different types of human relationships—ranging from healthy to harmful and challenges listeners to be mindful of the relationships in their lives. “Relations” was written by Maurice Bennett and produced by Garth Sinnette of Action1 Studios.

Be sure to catch Nisa at Kalypso Revue when doors open on January 23rd.  

By: Kerice Pascall

Production Notes/Music Credits:
Song Title: Relations 
Artist/Performed by: Genisa St. Hillaire
Written by: Maurice Bennett
Produced by: Garth Sinnette of Action1 Studios
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨ Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Chalkie’s Spirit Lives On in Kernal Roberts’ Bad Lucky Me


I’m really enjoying this calypso; it’s sharply written and captures so much of what’s happening in Trinidad. When Kernal sings about his misfortunes and bursts out, “Bradam bram, jus’ so, Chalkdust get ah stroke!” it’s a moment of pure lyrical brilliance — and fittingly, the line comes straight from Chalkdust himself.

Although Dr. Hollis “Chalkdust” Liverpool has stepped back from performing, his influence on the artform hasn’t faded. His song “Bad Lucky Me” feels like a deliberate re‑entry into the calypso conversation, especially after the debate sparked by his critique of modern trends. Kernal even drops a classic Chalkie‑style joobai, a playful nod to the master’s signature sting.

Co‑produced by Kernal Roberts and Azikiwe Kellar (who also engineers the track), the song blends modern calypso polish with the satire, generational wisdom, and political side‑eye Chalkdust is famous for. Kernal slips between commentary and comedy, echoing the tradition his father helped build, while Chalkdust’s pen ensures the message lands with weight.

It’s a clever, culturally grounded piece that reminds listeners why calypso remains one of Trinidad & Tobago’s sharpest tools for truth‑telling.

Short, sharp, and culturally grounded, Bad Lucky Me shows how calypso remains one of Trinidad & Tobago’s most reliable tools for truth‑telling—whether Chalkdust is on the mic or behind the pen.

Production Notes/Music Credits:
Song Title: Bad Lucky Me
Artist/Performed by: Kernal Roberts
Written by: Dr. Hollis Liverpool (Chalkdust)
Produced by: Kernal Roberts and Azikiwe Kellar 
Mixed and mastered by: Azikiwe Kellar
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Wednesday, January 14, 2026

Permission for the Pic — Helen Drops a Wicked Double Meaning


This catch-up post highlights that we are experiencing a Calypso music time that we have not seen or heard in years. 

This one is a bacchanal song, featuring real kankalang and musical bois all in one.  "Permission for the Pic” is Helen of Trinbago at her wicked best—a calypso that winks, bites, and exposes the absurdity of a real-life legal tangle. Using the troubling case involving beloved Calypsonian Stalin, Helen turns a courtroom ruling into a saucy tent‑ready performance, flipping the word “pic” into a loaded metaphor that works on every level.

The song delicately balances humor and heartbreak. Helen channels the voice of a wife blindsided by a verdict that says she must now seek permission—and even pay—to use the very “pic” she once had free access to in marriage. The double meanings swiftly emerge, transforming legal confusion into lyrical mischief. It’s social commentary wrapped in innuendo, a reminder of how relationships, memory, and ownership collide in ways that feel both ridiculous and real, and that is where the voice of the Calypsonian shines. Stalin must be smiling from Calypso heaven.

This one is pure tent energy—bold, clever, and guaranteed to make the audience laugh, gasp, and shift in their seats. A wicked teaser for the 2026 season.

Production Notes/Music Credits:
Song Title: Permission for De Pic 
Artist/Performed by: Helen of Trinbago
Written by: 
Produced/Arranged by: Damion Preston
Mixed and Mastered by: Damion Preston. 
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Calypso 🎶

Empowering Caribbean Creatives
🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).