Sinking Ship: Kilu & Freetown Collective Sound the Alarm

Kilu & Freetown Collective revisit one of calypso’s most iconic metaphors—the sinking ship—and steer it into a new generation. Where Gypsy once warned a nation about drifting off course, this 2026 "Sinking Ship" feels like a meditation on decline, memory, and responsibility. The song warns about wars and that we don't want any war in the region.

The song looks back to a time when things used to shine brighter, when the country moved in harmony, and when hope felt easier to hold. Times may have changed and themes added, but the story is the same. Nostalgia is contrasted with a stark refrain: the ship is sinking. Things are not getting better and despair is at hand. Hunger is increasing, pressure is mounting, and the future appears increasingly fragile.

Yet even in the middle of the storm, the song refuses despair. There’s a pledge to serve my country, Tobago and Trinidad, a call for more care, more love, and a firm declaration that we want no war here. The urgency is unmistakable—the “captain’s blood pressure is really low,” and the choice becomes clear: abandon ship or repair it together.

A modern take on a timeless warning—delivered with heart, harmony, and a plea for unity.

Production Notes/Music Credits:

Song Title: Sinking Ship 

Artist/Performed by: Kilu & Freetown Collective

Produced by: Zackry Griffith 

Written by: Aklilu "Kilu" Joseph, Muhammed Muwakil, Winston "Gypsy" Peters & Lou Lyons

Instruments by: Denilson Gulston, Ahren Maynard 

Mixed & Mastered by: Christon Guevara

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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A Little Power: Calypso Takes Aim at Political Incompetence

This is a short catch‑up post while we process the surge of new calypso drops.

While a cut in water may not leave marks, a Calypsonian's critique of a situation leaves many with bruises and political scars.  "A Little Power" is one of those situations where the modern-day griot scrutinizes the consequences of unprepared, image-driven, and overpowered leadership. Most individuals elected into positions of power lack the ability to know when to stop speaking! The calypso frames “a little power” as a dangerous thing—especially when those in charge rise to their level of incompetence.

The singer calls out gaslighting and propaganda and nonstop PR missteps, contrasting polished appearances with the absence of real leadership. While serious issues demand attention, the song highlights officials more focused on selfies and staged moments rather than good governance that delivers on promises made. That is the key to successful governance: promises made and promises kept. The critique extends to historical missteps, pointing to public figures who misrepresent foundational national history.

With Leston Paul’s production giving the song its weight, Seale delivers a performance that drops lyrical “bombs” on foolish comments and actions from those in office. It’s classic political calypso—sharp, witty, and unafraid to challenge the status quo.

YouTube Music Release Notes:

This government is about excess... plenty of PR plus nonstop propaganda to cover up their obvious failings.

This calypso captures a government whose leadership seems intent on proving the truth of the Peter Principle. Members of an organization tend to rise or be promoted until they reach their level of incompetence.

Production Notes/Music Credits:

Song Title: A Little Power 

Artist/Performed by: Devon Seale 

Composed by: Marlon Rondon

Produced by: Leston Paul 

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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No Validation: Brother Mark Stands Firm in His Truth

A brief catch‑up post as we work to feature all the new Carnival 2026 releases.

Brother Mark steps forward with a calypso rooted in conviction, ancestry, and unapologetic truth‑telling. "No Validation" is his declaration that he answers to no system, no gatekeeper, and no chorus of approval. He sings the truth like Calypsonians of the past with stinging lyrical content that does not need approval from anyone. 

He asserts to the listener that he represents the collective voice of the people, resolutely adhering to the truth without any compromise or manipulation. He is the true reporter, bringing the facts for the people to decide the outcome. His story as a calypsonian is about legacy. He emphasized that it stretches far beyond likes, trends, or digital noise. Built on struggle, protest, and ancestral fire, his voice is not one that can be filtered, silenced, or shaped to please Babylon.

Cowering to bullies and bigshots and political power is not the hallmark of a  good calypsonian. Allowing the system of class to dictate the message will not sit well with him.  He doesn’t perform for validation—he performs for truth. With lines about royalty, dignity, and a spirit too strong for “data to purge,” Brother Mark positions himself as an independent force, grounded in purpose and protected by heritage.

After all is said and done, one can only say that he is a  fearless calypsonian, standing firm in his lane.

Production Notes/Music Credits:

Song Title: No Validation 

Artist/Performed by: McMorris "Brother Mark" Edwards 

Composed and Arranged by: Mc Morris Edwards

Background Vocals by: Roxann Singh

Guitar by: Mc Morris Edwards

Mixed and Mastered by: Josheph Tompson at Ebony Sound Factory 

Recorded at: Caribbean Pulse Recording Studio

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Jail Wasn’t Built for Only Poor Man — Ras Kommanda Fires Back with "My Crime Plan"

This is a brief catch-up post as we work to feature all the new Carnival 2026 releases.

Ras Kommanda enters the conversation with a calypso that combines elements of satire, frustration, and social truth. Through a reasoning with a friend, he lays out a bold new “crime plan”: if Trinidad really wants to tackle crime, start by jailing a millionaire every month.

The song argues that corrupt millionaires—the ones with access, influence, and deep pockets—play a major role in the flow of guns, drugs, and dirty money. Meanwhile, poor people fill up the jails, while the “big criminals,” often disguised in suits and titles, walk free on bail before they even feel hungry.

Kommanda challenges the long‑standing imbalance: jail wasn’t built for only poor men. White‑collar crime, he says, is rampant, yet untouched. The voice of the Calypso is powerful, and Ras Kommanda calls out hypocrisy, selective justice, and the way the system shields those with power while punishing those without.

With humor, grit, and a touch of old‑school calypso bite, My Crime Plan pushes listeners to question who really benefits from the current system—and who the real criminals might be.

Production Notes/Music Credits:

Song Title: My Crime Plan 

Artist/Performed by: Ras Kommanda 

Produced by: Ebony Sound Factory

Mastered by: GQ MAXziMUM

Brass by: G Note Studio

Background Vocals by: Roxy Singh

Guitar by: Kyle Peters

Artwork  by: Travis Narine

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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A Call for Peace: Sheldon Nugget Sends a Message to the Superpowers

This is a brief update as we continue to showcase all the new releases for Carnival 2026.

This is one of the songs with a timely message. "A Call for Peace" is not just a calypso—it’s a Caribbean cry for sanity. Sheldon Nugget delivers a bold, emotional plea against the recent aggression in the region, calling out the madness of war and the recklessness of superpowers. With lyrical clarity, he reminds us: we don’t want missiles, we want music.

The world is watching, with superpowers eager to follow suit, salivating at the prospect of starting their own conquests. From Venezuela to Trinidad, from gas tanks to diplomacy, this song is a reminder that Caribbean people want to party, free up, and live in peace—not become pawns in global conflict. The message is clear: it's time to reposition the warships.

This song serves as a timely and necessary calypso. Sheldon Nugget wrote and composed the song, NuggVision produced it, and Neils Subero engineered it. This is a calypso that should be playing constantly, but Trinidadian radio stations are too caught up with the wine and grind Soca music releases. They are missing out on a Calypso gem!

Please leave your comments here and on the artist YouTube song post. Please share the post with your social media contacts to help promote the artist and song, as well as Kaiso Dial. 

Production Notes/Music Credits:

Song Title: A Call for Peace 

Artist/Performed by: Sheldon Nugget 

Song Title: A Call For Peace 

Written & Composed by: Sheldon Nugget.

Music Produced By: NuggVision

Mixed/Mastered By: Neil Subero 

Live Guitar: MC Morris Edwards

Background Vocals by: Stacy D and Lypsoman

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Calypso music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word. 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Tory Time: Chuck Gordon Buss the La Couray

One of our short catch‑up posts to ensure every new calypso gets its space on Kaiso Dial.

“Mout’ Open, ’Tory Jump Out”—and we’re off to the races. In this instance, we sit back and let the voice of the people tell it like it is. From the moment the fiddle bow drags and la couray buss, Chuck Gordon steps up to deliver the people’s report.

For those visiting this site for the first time or who are just unfamiliar with Trini-Lingo, 'Tory Time is simply story time. "Mout' Open 'Tory Jump Out" is a Trinidad proverb that means as soon as someone starts talking, hidden information or a secret “comes ”out"—often more than they planned or were expected to say. Credit Perplexity. 

Trinis pretend they don't want to hear this kind of story, but in reality, they are already prepared with their popcorn. Politics, picong, rum-talk, bad minds, elections, artists—everyone gets a touch-up. Laugh, cry, or cuss if you must, but don’t act surprised… allyuh too mauvaise langue.

Chuck didn’t hold back. Politicians from both sides—red and yellow—get licks. A well-known calypsonian who had one too many and decided to bad-talk the whole art form? He gets called out. Then, there was a shout-out to “The Killa from Trinidad” for his inappropriate posts on YouTube, where he criticized Trini Soca and praised Grenada instead.

This one was salty, saucy, and full of Moruga Scorpion pepper. Chuck Gordon was doing what he does best—delivering truth with sting and style. Now please remember to share this post with your social media contacts and leave your comments here. We really want you to interact with us.

YouTube Release Notes:

"This is not just a song—it’s a tory.

From the moment the fiddle bow drag and la couray buss, the Calypsonian steps up Tobago speech band style to tell the kind of story people pretend they doh want to hear. Politics, picong, rum-talk, bad mind, elections, artistes—everybody get a touch up. Laugh, cry, or cuss if yuh must, but doh act surprised… allyuh too mauvaise langue."

Production Notes/Music Credits:

Song Title: Tory Time 

Artist/Performed by: Chuck Gordon 

Written by: Marvin Mason

Produced by: Damion 'Crazy D' Preston

Mixed and Mastered by: Madman Johann (Johann Seaton)

Lyric Video/Animation by: Rembunction

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Share. Amplify. This is your Calypso Dial, where rhythm lives. Steelband and Soca music pulse year‑round, not only at Carnival. 🌴✨  Help elevate Caribbean music and culture—be a cultural ambassador and spread the word.  👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Words Have Power: Fallon Calls for Kindness in Speech

This is a quick catch-up post as we continue to share the abundance of new Carnival 2026 calypsos.

"Oh Kaiso boi." "Words Have Power" is a calypso of conscience—a lyrical reminder that words carry weight. Falon urges us to speak with care, knowing that what we say can uplift or harm, heal or divide. From everyday interactions to spiritual reflection, the song explores how language shapes relationships, communities, and even salvation.

Kudos to Nicole Greenidge, the songwriter, and the production team of Damion Preston and Neil Mai (executive producer). We like Fallon's singing style, deliberate, singing with passion and lyrical purpose. With lines like “What goes around comes around,” the message is clear: choose your words wisely. Because in Carnival and in life, words have power—they can uplift or demean. Indeed, at Kaiso Dial, we firmly believe that we must demonstrate greater love and kindness during these uncertain times. 

Well done, Fallon and kudos again to the production team. We now ask our readers to comment on the song. Go to the artist's YouTube post and leave words of encouragement. After all, you should choose your words wisely. Why? Simply put, "Words Have Power!"

Production Notes/Music Credits:

Song Title: Power of Words

Artist/Performed by: Fallon 

Written by: Nicole Greenidge

Produced by: Damion Preston 

Executive Producer: Neil Mattei

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Shake Yuh Bong Go Low - Rebellious Yardfowl

Part of our rapid Carnival 2026 catch‑up series—short notes now, full features later.

If you are expecting a lyrically intriguing calypso, then this is not the one you expected. Instead, you will be entertained by a calypso that delivers pure Carnival spirit in motion—a simple calypso with one clear message: shake your body, dance, and enjoy yourself. Rebellious Yardfowl conjures the heat of the season with rhythmic repetition and a chant‑like groove that invites movement from the very first beat.

The song paints a picture of Carnival filled with characters from the past, echoing J’Ouvert traditions and the raw, joyful energy of Trinidad’s street celebrations. It’s not trying to be clever—it’s trying to be felt. And in that simplicity, it delivers.

We invite you to share your thoughts on the song. Is it overly simplistic, or is it exactly what we need in a season dominated by Political Calypsos? Trinis don't hold back, so tell it like it is… you have the final say; make it count. 

Production Notes/Music Credits:

Song Title: Shake Yuh Bong Go Lo

Artist/Performed by: Errol "Rebellious Yardfowl" Bailey

Written by: ***

Produced by: ***

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Steady Steps, Strong Spirit: The Race Is Not for the Swift - Bass

This is one of our quick catch‑up posts as we work through the Carnival 2026 wave of new releases.

As we begin catching up with the new music, we start with an  uplifting calypso that leans into perseverance, self‑belief, and the quiet strength it takes to keep moving forward when the burdens of life feel like weights on your shoulders. 

This is a steady, motivational groove. It is a song that encourages the listener to rise up and face the challenges of life after every stumble; we continue to rise and conquer life's difficulties! It beseeches everyone to trust their worth and to keep pushing toward the finish line with resilience and pride.

"The race is Not for the Swift" is a calypso that reminds everyone that progress isn’t always fast—but it’s always possible. A positive, empowering message for the season.

Production Notes/Music Credits:

Song Title: "The Race is Not for the Swift"

Artist/Performed by: Adrian "Bass" Hackshaw

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

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