Do So Doh Like So – A Mirror to Trinidadian Society

Here we go—it takes the wit of the calypsonian to tell it like it is. Today we spotlight a classic by Lady Wonder, titled “Do So Doh Like So.”

If you are a 'born and bred' Trinidadian, the title alone will make you smile. So what does it mean? Simply put: “You can dish it out, but you can’t handle it when it comes back at you.” Or, in sharper terms: “You don’t like when others do to you what you yourself do to them.”

That is the genius of calypso—turning everyday truths into memorable lines that stick.  This is why I created Kaiso Dial: to celebrate the wit, wisdom, and cultural heartbeat of our music.

The messages are clear and we list them here for you:

• She did not miss a beat and pointed out: A society where only those with resources thrive, while the poor are neglected.
• This issue is not unique to Trinidad; we experience hate and jealousy on a daily basis. The lyrics and singer call out envy and bitterness that divide communities.
• Love and unity is the answer: A plea to restore harmony and togetherness in Trinidad and Tobago.
• It is painful to acknowledge that our society is filled with hypocrisy and a lack of charity, as it exposes individuals who seem religious yet refuse to assist those in need.
• One can never, ever undermine the need of family togetherness and education for the society: Stressing crime prevention, youth education, and the legacy of grandparents’ teachings.
• What is a nation without integrity? I lament the erosion of honesty and moral standards in our nation.
• And finally, the key to unlocking everything, parental guidance: This serves as a reminder that the foundation of progress lies in strong families and responsible parenting.

Now tell us what you think about this Calypso and whether or not it is alive and thriving in Trinidad and Tobago. It is a shame that this song is rarely played on Trinidad radio, except for an occasional lucky play. For that reason, we ask you to share this post with your social media contacts to help popularize the song and artist. When a sweet Calypso song is good and deserves an encore, we say... "Kaiso, Kaiso, yes, Kaiso!"

Production Notes/Music Credits:

Song Title: Do So Doh Like So 

Artist/Performed by: Lady Wonder 

Written by: Pending

Arranged by: Pending

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Black Man Feeling To Party by Swappi x Madman Johann

Touching a classic is never simple. In fact, it’s risky business. When you step into the shadow of a giant like Black Stalin, you’re not just singing a song—you’re carrying the weight of history, memory, and cultural pride. If you flop, your reputation could take a hit. Fail outright, and it could even derail your career. But we can happily report that Swappi and Madman Johann made Stalin smile from the beyond. Why? Simply put, this remake of "Black Man Feeling to Party" is pure Carnival energy. 

Kudos to the production team for a job well done. Today, we honor Marvin Davis, the real Swappi, and Johann Seaton, of Madmen Productions, because they truly succeeded. Their remake of “Black Man Feeling to Party” is nothing short of marvelous.

From the beginning, Swappi's vocals were relaxed, and one could feel Stalin’s spirit woven into Swappi’s delivery. He was amazingly composed, relaxed, and confident, channeling the vibe of the original while adding his own Swappi flair. It’s a performance that feels blessed by Patsy Calliste, Stalin’s widow, and one that honors the legacy without trying to overshadow it.

Johann Seaton’s production work ensures the track balances reverence with freshness. The arrangement respects the timeless groove of the original, arranged by Errol Ince back in 1991, while giving it the sonic polish needed to resonate with today’s audience. Together, Swappi and Johann have created a remake that feels both respectful and exciting and celebrates a Calypso legend. It is a true tribute to one of calypso’s greatest voices.

We were so happy to write this post because I loved it from the first time I heard it. To be honest, classic songs live on not only in our memories but also through bold new versions that keep the music alive for new generations. And this one? We really like it.

Production Notes/Music Credits:

Song Title: Black Man Feeling To Party

Artist/Performed by: Swappi x Madman Johann 

Written & Remade by: Marvin Davis And Johann Seaton

Produced, Mixed & Mastered by: Johann Seaton

Special Thanks to Patsy Calliste & Kevan Calliste

Original by: Leroy Calliste aka Black Stalin

Album: The Bright Side

Arranged by: Errol Ince

Year: 1991

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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J’ouvert Movement: "Come Down" is M1’s Dutty Mud Declaration

This song is pure fire and the singer invites you to "Come Down" and enjoy "yuhself"! We conclude the posts for the Dutty Mud Riddim with the M1, also known as Menace J'ouvert, featuring a firestorm of energy. This song, produced by Stemz and cowritten by M1 and Slammer Cutter, is a track built for bacchanal in the streets. 

This vibe is not Soca—it’s a movement riddim, designed for powder, oil, and mud, where the crowd becomes part of the rhythm.  The lyrics direct the story: “When you see me coming down, you know it’s madness in the town.” That repeated chant captures the raw excitement of J’ouvert, a declaration of the power of J’ouvert morning festivities. 

As we close and celebrate the Dutty Mud Riddim by Stemz, we acknowledge the mastery of M1 at the microphone. He is the sound of J'ouvert, and "Come Down" embodies it all: unfiltered, communal, and unforgettable.

Production Notes/Music Credits:

Song Title: Come Down

Artists: M1 aka Menace x Slammah Cutter 

Written by: Sherwin Jeremiah & Slammer Cutter 

Produced by: Stemz

Mixed by: ChainLinxxx

Mastered by: Martin Mice Raymond

Label: Slammer Cutter under exclusive license to Diaspora Sound

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: CalypSoca J'ouvert Vibe 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Dutty Angels – Silvah & Stemz on the Dutty Mud Riddim

We are back with another track from the album titled "Dutty Mud Riddim." Silvah x Stemz performs this song, "Dutty Angels." While this tune is labeled "Soca" on Julianspromos, here at Kaiso Dial we’re spotlighting it for a different reason. This track rides the Dutty Mud Riddim, a raw, percussive groove that feels less like polished Soca and more like a J’ouvert get-on-wicked Calypso rhythm.

The lyrics take us to J'ouvert morning and the bacchanal that takes place before the sun rises. The lyrics hammer home the revelry of Carnival mornings: “powder, oil, everything going to spoil” and the repeated mantra of being “powder, mud and oil.” It’s a celebration of abandon, a "stink and dutty" J’ouvert, and the messy joy that defines J’ouvert.

Stemz delivered a rhythm that is undeniably energetic with the carnival-ready drive of Soca but with the soul of Calypso and a ceremonial j'ouvert jam. The tradition of using mud, paint, and powder dates back to a time when Calypso was the boss of the carnival. That’s why this riddim finds its home on Kaiso Dial: it challenges the boundaries of genre and reminds us that Carnival music is as much about vibe as it is about labels. Enjoy the vibe and share this Kaiso Dial post with your social media contacts. 

Production Notes/Music Credits:

Song Title: Dutty Angels

Artist: Silvah 

Written by: Shirlan Garry Martinez

Produced by: Stemz

Mixed by: ChainLinxxx

Mastered by: Martin Mice Raymond

Label: Slammer Cutter under exclusive license to Diaspora Sound

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: CalypSoca J'ouvert Vibe 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

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J'ouvert Vibes: 3 Canal’s “No War” on the Black Mud Riddim

Are you the type of person who loves to categorize Caribbean music? If you enjoy categorizing Caribbean music, we have a song that presents a conundrum. This question is not a riddle, but it is all about vibes. Today we present a song by 3 Canal on the Black Mud Riddim (album), produced by Stemz. Don't get me wrong, Julianspromos is promoting the Riddim as Soca, but this 3 Canal song is a toss-up. It is a vibrant song that will undoubtedly rock any Caribbean J'ouvert. The song is titled "No War," and I want you, fans of Caribbean music, to say if it is Calypso, Soca, CalypSoca or just a wicked J'ouvert vibe. 

This track pulses with Carnival energy while carrying the weight of social commentary—reminding the powers that be that we don't want 'No War' in the Caribbean.  Riding Stemz’s Black Mud Riddim, the song is officially catalogued as Soca 2026, yet its lyrical DNA leans heavily into Calypso’s protest tradition. Just keep in mind that 3 Canal is known for their Rapso style and social commentary; with this song, as Dev would put it, they are the "Kings ah de J'Ouvert!"

As a matter of where this song fits in our cultural landscape and especially genre-specific, their unique style of delivery makes this song stand out from the other songs on the "Black Mud Riddim." Maybe it would have been a fitting release for Spicemas! 3 Canal is on fire with this song, known for blending rapso—spoken word with calypso rhythm and a touch of Soca drums. This fusion makes “No War” more than just a party anthem; it’s a call for unity and reflection, wrapped in the percussive drive of Soca. The riddim itself is Soca, but it fits J’ouvert perfectly and the delivery reminds us of Calypso’s enduring role as the conscience of Carnival.

With “No War,” 3 Canal proves once again that the steelpan, the drum, and the voice of protest can coexist on the road, igniting revelry while reminding us of deeper truths.

Production Notes/Music Credits:

Song Title: No War

Artist/Performed by: 3 Canal

Written by:  Wendell Manwarren

Mixed by: ChainLinxxx

Mastered by:  Martin “Mice” Raymond

Label: Slammer Cutter under exclusive license to Diaspora Sound

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: CalypSoca J'ouvert Vibe 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Panorama 2026: Celebrating Our Small Conventional Bands

They put their all into their performance, hoping to advance to the next round of competition. We are talking about the Small Conventional Steelbands Panoram Preliminary round of competition. We expect the list of bands that made it to the semi-final round of competition to be announced shortly. Today, we pause to honor the performances of all 44 bands who embodied the spirit of our national instrument in this year's (2026) competition. 

All of the bands delivered exciting performances with the hope that the judging system will find favor with the musical arrangement and skills of the pan tuners and players alike. They brought the spirit of  their neighborhood, exciting arrangements and community pride—reminding us why Panorama is more than a competition; it is a living expression of Trinidad & Tobago’s culture.

If you are a fan of culture or simply enjoy the captivating sound of steelpans and steelbands, you undoubtedly understand why you are enjoying the bands' performances and sharing this post with your social media peers. 

• Steelband culture thrives when every participant is honored, not just the winners.
• Community pride: Each band represents neighborhoods, schools, and generations of pan players.
• Panorama heritage: This competition continues to showcase the creativity and resilience of our pan movement.

Listen, share and enjoy all the performances, and remember that whether they advance or not, every band has already contributed to the legacy of Panorama 2026. We salute their artistry, discipline, and joy.

Stay tuned to Kaiso Dial as we cover the Calypso and Steelband culture of Trinidad and Tobago. We will be posting all the steelband performances and news here on Kaiso Dial instead of Sokah2Soca. 

Name of Band/Song  Tokyo - Jamtown  Laventille Serenaders - Jamtown T&T Music Stars - Pan by Storm Phoenix Steel Orch—Big Truck Road Block—Guitar Pan Defense Force—All is Yours West Stars—No, We eh Going Home Diego Martin Merrytones - Too Own Way Steel Sensations - Dance Floor Tobago Pan-Thers - Whap Cocoyea C&B Crown Cordaans - Old & Grey  West Side Sym—Going & Party Tonight Uptown Fascinators—Band from Space Our Boys—Too Own Way Alpha Pan Pioneers - Take Me Home New East Side Dim.—Water De Garden Southern Stars—Let us Build a Nation Southern Marines—My House Tornadoes - JamTown  Silver Harps - Medicine Golden Hands - All Aboard Fusion Steel - Signal to Lara

Name of Band/Song Hatters Steel Orch—Ah Coming Home Motown Pan Theatre - Rebecca  Swavic Steel Orch—Jamtown  Panasonic Connec—Drunk & Disorderly Old Tech—Jamtown Kalomo Kings Steel Orch - Nah Do Dat Claytones Steel Orch—Retro Panhandle - Tell Me Why Mayaro Cadenza - Too Own Way Arima Golden Symph—Both Ah Dem Tamana Pioneers—Capitalism Gone Mad Nu Stars - Mash Up Jaynotes Steel Orch—Wet Meh Down  LH Pan Groove—Pan in A Minor Simple Song Orch—De Band Coming Sound of Music—Pan in A Minor  Bon Air Rhythm Rockers—No Getaway Perfect Cadence—Pan Running Wild Fascinators —Both ah Dem  Tunapuna Tipica—The Party Hot Hot Hot Northolus Steel Orch—Out and BAd Second Street Allstars—Remove Yourself

Production Notes/Music Credits:

Competition: Preliminary Rounds SCBP2026

Bands Competing: 44

Governing Body: Pan Trinbago 

Origin: Trinidad, Republic of Trinidad & Tobago

Competition Year: 2025 (Preliminary round December 2025)

Genre: Steelband Music 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

WeCapture.... Panorama Live · 2026 Small Band_PRELIM

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All Rounder Spins Laughter and Drama in “Whey De Bandit Gone”

He is one of the classic calypso singers left, from a generation that gave us some of the best Calypso music. Today we feature the music of All Rounder. The song, titled "Whey De Bandit Gone," written by Anthony and Wilma Hendrickson, is filled with humor. When I listened to the song, I immediately thought of Lord Blakie.  It’s a witty narrative that instantly recalls the mischievous style of Lord Blakie, especially his classic “Steel Band Clash.” All that seems missing is Blakie’s trademark laughter—though the female backup singers’ chuckles may well be a playful salute.

Like Blakie’s storytelling, All Rounder spins humor into everyday drama. The song follows the curious case of a bandit who has suddenly disappeared, sparking reactions across the community. The recurring chorus—“Where has the bandit gone?”—urges listeners to alert the police, while verses paint vivid scenes:

• Rumors are spreading, causing people to run and panic.
• A woman selling papers joined the commotion.
• The search ensnared churchgoers and even a priest.

The humor lies in the escalating absurdity, each verse layering new characters into the chase. It brings out the best in Calypso: a mix of social theater, humor, and rhythm.

Whether intentional or not, the echoes of Blakie’s mischievous delivery give “Whey the Bandit Gone” a nostalgic flavor. It’s a reminder of calypso’s enduring ability to laugh at life’s chaos while keeping audiences dancing.

Production Notes/Music Credits:

Song Title: When De Bandit Gone 

Artist/Performed by: All Rounder 

Written by: Anthony & Wilma Hendrickson

Audio & Video by: Jr. Soy 

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

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The Mic Is Open: TUCO Launches Registration for Calypso Competitions

The countdown begins. TUCO has officially opened the gates for the National Calypso Competitions, inviting voices from every corner of the nation to step forward. Whether you're a seasoned Monarch contender or a rising Junior star, the road to Carnival 2026 starts now. From Extempore brilliance to Freestyle fire, the stage is wide open—and the stakes are high. Registration is live at zonal offices nationwide. Don’t miss your moment. The mic is waiting.

TUCO: 

The road to Carnival 2026 has officially begun as TUCO opens registration for the upcoming National Calypso Competitions.

Starting today, December 8th, all interested nationals and naturalized citizens are invited to sign up at TUCO zonal offices nationwide.

This year’s competitive lineup includes: 

• Calypso Monarch 
• Extempore
• Freestyle 
• Road March 
• Junior Calypso Monarch

Deadlines run from January through February, so artists are encouraged to act early.

TUCO is urging all prospective competitors to register as soon as possible and ensure they meet every requirement to secure eligibility for the 2026 season. The stage is set. The culture is calling. Will you answer?

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

As the clock ticks down to Trinidad and Tobago Carnival 2026, Ainsley King, the President of the Trinbago Unified Calypsonians' Organization (TUCO), discussed the plans.

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Rum & Coca Cola: A Name Reimagined for Carnival 2026

Few calypso melodies carry the weight of history quite like Rum and Coca-Cola. First penned and performed by Rupert Westmore Grant—the legendary Lord Invader—the song became a global sensation when The Andrews Sisters recorded their version in the 1940s. What followed was one of the most famous copyright battles in music history, a case that etched itself into the very fabric of Caribbean cultural memory.

Fast‑forward to today, and instead of revisiting the old melody, Kes & Tano reinvent the idea of Rum & Coca Cola with a modern twist. They take us back to a memorable period in the history of Calypso music when Calypso tent performances became a popular Carnival tradition. That tradition is recreated in the imagery of the video production... it is so well done!

Carnivals come and go, and by borrowing from a wedding scene, we take something old; we approach each new season with the promise that we can reflect on the past while introducing something fresh and unique. Kes and Tano have boldly reimagined this iconic song's name. This track is a conceptual revival of a song that was once controversial but has lived on for generations. Kes and Tano have honored the name, Rum and Coca-Cola, while reshaping its narrative for a new generation.

This track is not a remake. It’s a reinvention.

Let your imagination go on a playful ride with Kes and Tano. The recreation takes us back in time, creating the story in a fresh direction: a lively encounter with Miss Grace, a woman who was drinking Rum and Coca-Cola, unfolds in a throwback black‑and‑white production infused with Caribbean joy. In this context, Kes and Tano evoke the spirit of Invader’s era while incorporating the energy of contemporary soca and calypso into their performance.

Musically, the track is pure Kes—with Tano’s creative edge woven in—a seamless fusion of heritage and innovation. Rather than replaying Lord Invader’s melody, this version celebrates a new idea, dressed in the vibrancy of today’s Carnival generation.

The result? A feel-good, timeless song that bridges eras: storytelling and celebration, nostalgia, and reinvention. Flawless... the video production and the creative process from Kes, Tano and the team involved with the making of the song. Let's not forget the work of Kyle Peters on guitar and Josh Richardson on bass, as well as the background vocals by the triple team of Terri Lyons, Coutain, and Tano. 

Born again, resurrected or all new, call it what you may, but this version of Rum & Coca-Cola resurrects a name that once ignited global debates—not as a relic, but as a vibrant reinvention for Carnival 2026.

For those who love 'red-man' music, 'de ting now start'; Carnival begins here!

Production Notes/Music Credits:

Song Title: Rum & Coca-Cola

Artist/Performed by: Kes & Tano

Written by: Kes & Tano 

Produced by: Tano 

Guitars by: Kyle Peters 

Bass by: Josh Richardson 

Background vocals by Terri Lyons, Coutain & Tano 

Horn Credits: 

Trumpet: Charles “Randy” Williams

Trombone: Aaron Blenman

Saxophones: Daniel Ryan

Horns Arranged by: Daniel Ryan

Mixed by: N.M.G music 

Mastered by: Precision Productions

Origin: Trinidad, Republic of Trinidad & Tobago

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

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