Boogsie Leads the Charge: Trouble Sets the Stage for Panorama 2026

Kaiso Dial Closes Out 2025 With Pure Trouble—Len “Boogsie” Sharpe, Freetown Collective & XplicitMevon.

For our final post of 2025, shared across Kaiso Dial and Sokah2Soca, we’re ending the year with fire. Trouble—the brand‑new collaboration from Len “Boogsie” Sharpe, Freetown Collective, and XplicitMevo—arrives with the kind of vibrance, melody, and raw Carnival energy that reminds us why this music moves the world.

Produced by XplicitMevon, with live guitars and bass by Kyle Peters, Trouble is a soca track built for motion. It’s lively, playful, and full of that unmistakable “she causing trouble” energy—the kind of woman who steps into a fête and instantly becomes the center of gravity. Phrases like "trouble on the bass," "making up her face," and "jumping up on the stage" paint a scene straight out of Carnival: uninhibited, joyful, and alive.

And behind the groove is a powerhouse writing team:

Jason “Shaft” Bishop, Muhammad Muwakil, Lou Lyons, and Mevon Soodeen—a lineup that guarantees melody, message, and movement.

But what truly elevates Trouble is the presence of Boogsie. Calypso and soca were born for the steelpan, and with Boogsie at the helm, the anticipation for Phase II Pan Groove’s Panorama 2026 interpretation is already electric. If this is the starting point, the road to the Savannah will be something special.

Listeners are already feeling it. The early comments say it all:

• “This is a great song. Ready for the road and panorama.” — @elizabethfrank3383
• “Calypso needs to come back for decades. Beautiful arrangement of music. Well done, Boogsie.” — @Rajendradeonarine
• “On point, Boogsie. Come out the gate swinging…” — @MK-cc8ih
• “This song is TROUBLE!!” — @arielsaunders2527
• “Phase II’s guitar and cello sections have lovely chords and lines to play thanks to Kyle!!!” — @adeliat3983
• “TROUBLE ❤❤❤❤❤” — @Lisa-K-US

As we step into Old Year’s Night and welcome 2026, Trouble is the perfect send‑off—a reminder that melody, musicianship, and pure Carnival joy still reign supreme.

Here’s to more music, more culture, and more Kaiso in the new year.

Blessings, love, and rhythm straight into 2026.

Production Notes/Music Credits:

Song Title: Trouble 

Artists/Performed by: Len Boogsie Sharpe x Freetown Collective x XplicitMevon

Produced by: XplicitMevon

Written by: Jason "Shaft" Bishop, Muhammad Muwakil, Lou Lyons, and Mevon Soodeen.

Live Guitars & Bass by Kyle Peters.

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Rose Gold Sings the Unbreakable Spirit of Our Nation: My Trinbago

We are going to walk through the fire with Rose Gold’s My Trinbago. This calypso is a gift to our people, our culture, and the spirit of Trinidad and Tobago. My Trinbago is a beautiful tribute to the vibrance, determination, and love of Trinbagonians—a reminder of who we are and the fire we carry in every season.

Written by Hammond Bruce and produced by H.B. Entertainment, the track moves with a sweet traditional calypso rhythm, the kind that instantly roots you in home. But it’s the message that truly shines.

Rose Gold sings of resilience and hope, even in serious times.  The lyrics of the song shine brightly with Rose's vocal delivery. She calls on us to raise our voices, celebrating a people who refuse to bow, who hold unity close even when the weight of the world is weighing us down. The song reminds us of our strength—to use it and ensure a better future. 

"My Trinbago" takes us on a journey reminding us of our progress  and that the change we seek rests on our shoulders. We must take responsibility, overcome our challenges, and contribute to the success of Trinidad and Tobago. Does the song inspire us to take action? It is, and it pushes the listeners to take ownership of the future we want to build together. The song encourages listeners to become active participants rather than mere spectators.

At its core, My Trinbago is about cultural identity and history. We all face struggles, individually and as a nation. However, Rose Gold asserts with confidence that these challenges cannot shatter our hearts or extinguish this passion. Our past struggles should fuel us—to make our lives, and our beloved Trinbago, a better place. In that strength, nothing can break us.

After all is said and done, the song does celebrate our unwavering spirit—a people who move forward with no retreat, no surrender, even through the darkest of nights.

That is Trinbago. That is us.

YouTube Music Release Notes: 

My Trinbago is a beautiful calypso about the vibrance, determination and love of its people.

Production Notes/Music Credits:

Song Title: My Trinbago

Artist/Performed by: Rose Gold

Written by: Hammond Bruce

Produced  by: H.B. Entertainment

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Stacey Sobers Sings for The Greater Good—Calypso 2026

Ok, let me say the following: This is one of my favorite Calypsos for 2026; I love this song! 

Stacey Sobers steps forward with The Greater Good, a calypso that speaks directly to the heart—and to the conscience. In these uncertain times, selfishness often overpowers empathy, giving the impression that the world has lost its direction.  This song reminds us that equal rights, equal opportunity, and collective care must be the foundation of any just society. There is no place for selfishness and only self-preservation. 

Brilliantly written by Cre8v Dremr, the song challenges us to look beyond ourselves: to reject inherited biases, to embrace tolerance, and to build a joyful space where differences are respected, not feared. She draws from history’s lessons—from conflict and injustice—and calls for corrective policies and reparations that can pave the way toward true equality.

Is it just a social commentary on the ills that befall today's societies? Absolutely not! The song calls for economic fairness and an end to the vast disparities that leave many suffering while a few have too much; America is a prime example of this malaise. The message is clear: peace, progress, and liberty must be for everyone—not just the privileged few. Caribbean people, remember when we were a kinder, more generous nation? 

This is a calypso with purpose. A song that dares to imagine a world built on justice, fair pay, and shared humanity. And it’s one we’re proud to celebrate.

Production Notes/Music Credits:

Song Title: Greater Good

Artist/Performed by: Stacey Sobers

Written by: Cre8v Dremr (Creative Dreamer)

Produced by:  DANCIN DREAD Productions 

Background Vocals: Joseph Williams & Tricia Hamilton

Mixed & Mastered by: Martin "Mice" Raymond

Bass: Rodney Alexander

Guitar: Jevan Ochoa 

Trumpet: Dan Clarke 

Tenor Sax: Oral Rodriguez

Trombone: David Jacob

Video: Keegan Taylor

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Video Director: Rayshawn Pierre

Choreography: Sherma Burke

Dancer: Delese Rabathally

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Richie Buntin claims the 2025/26 St. Croix Calypso Monarch Title

Hansil Buntin, whose Calypso sobriquet is "Richie Buntin," rose to the top of a competitive field of nine contestants to capture the 2025 St. Croix Calypso Monarch crown. He is undoubtedly a seasoned performer.  Real name, Hansil Buntin, delivered a standout performance that also earned him the title of Best Social Commentary. There is no doubting his talent, underscoring his command of message, melody, and stagecraft.

The first runner-up was veteran calypsonian Samuel "Mighty Pat" Ferdinand, a former four-time monarch whose consistency and wit remain unmatched. Mighty Pat also secured the award for Most Humorous Song, proving once again why he is celebrated as a king in many places.

Rounding out the top three was Cedric “King Spade” Brooks, the multiple‑time winner whose presence and delivery continue to resonate deeply with Virgin Islands audiences. His placement as second runner-up reflects both his enduring artistry and the strength of this year’s competition.

The 2025 results highlight a powerful blend of veteran excellence and lyrical craftsmanship for those who love Calypso, especially in the USVI—a reminder that the tradition remains vibrant, competitive, and culturally essential.

While Kaiso Dial is focused on the upcoming Trinidad Carnival and Calypso season, we have to show love to the 'others' in the Caribbean basin: after all, the diaspora needs to know what is going on with Calypso across the region. The Mighty Pat’s performance stands as a reminder of the enduring power of veteran calypsonians, the cultural pride they carry, and the lyrical excellence they continue to bring to the stage.

Kaiso to the bone—and congratulations once again to a true standard‑bearer of the artform. We were able to obtain a sample of  a few performances, posted below; the final song, "Quality of Life," is by the eventual winner, Richie Buntin.

Originally reported and featured: Daily News USVI

Results:

• Hansil "Richie Buntin" Buntin - Quality of Life
• Samuel "Mighty Pat" Ferdinand
• Cedric "King Spade" Brooks 

Production Notes/Music Credits:

Competition: USVI Calypso Monarch

Backing band: Xpress Band

Origin: St. Croix, USVI

Year: 2025

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Sokah2Soca · Quality of Life - Richie Buntin

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Mother Music Calls Out the System — And Calls Us Back to the Source

Kaiso, Kaiso—yes, Kaiso! Pae3ot steps forward with Mother Music, a heartfelt reminder of what calypso once was—and what it still should be. Mother Music speaks plainly about the state of the artform: the slipping standards, the rising production costs, and the painful reality that too many strong songs and singers are overlooked.

One of the central issues he raises is a familiar cry from calypsonians every year: a system that rewards names over merit, where judges bypass powerful compositions and where radio silence borders on the unconscionable. This leaves artists carrying the full financial burden of production with nothing in return. Yet through all of this, Pae3ot’s love for our Mother Music shines. He reminds us that calypso is the root—the genre that birthed so many Caribbean styles and influenced music across the world. His message is one of love, respect, and restoration: a call to honor calypso’s roots and protect its integrity.

Politics—especially the use of politricks—further undermines that integrity. Similar to the electoral cycle, calypsonians often face pressure to focus solely on social and political issues, neglecting the calypso styles that made artists such as Stalin, Shadow, Kitch, Sparrow, and Singing Sandra so beloved.

So remember, we are here to uplift our Mother Music, and we depend on you to help spread the word. Share this post, share the song, and support Pae3ot and other calypsonians—while helping Kaiso Dial continue to grow.

Production Notes/Music Credits:

Song Title: Mother Music

Artist/Performed by: Pae3ot

Written by: Dave Maikoo AKA Pae3ot

Produced, Mixed and Mastered by GQ MaxZmum (Gideon Quashie).

Background Vocals by: Trisha Hamilton

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

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Wear Clothes - Hamidullah 2026

"Good morning… Good evening… Good night!"

If you are familiar with Calypsonians and Calypso, you would recognize that signature greeting.

Veteran Calypsonian and master of the art of Double Entendre, Hamidullah Wahid delivers in his own unique style, another timely classic. The Calypso titled “Wear Clothes” is directed at how women dress and its impact on many of their male counterparts.

Making the salient points Dress to impress not to suggest; You don't have to compromise to look nice, he appeals for balance in the way women present themselves.

Hamidullah has captivated audiences over the years with his audience connectivity and rib tickling humour, as well as his serious social commentary. With songs like - One stick of matches, Yuh Cyar Land and Not my Boy to name a few, his pedigree as a humorous entertainer is beyond question, while the elderly statesman in him is reflected in songs like Change, Sycophant and Essence of Democracy.

His 2026 selection Wear Clothes reflects both sides of this awesome entertainer, one who always bring a smile to the faces of his audience.

Hamidullah is a Calypsonian/Recording artiste for forty plus years. He has had performances throughout the US Virgin Islands, North America and the Caribbean. He is one of those senior Calypsonians that younger and inexperienced artistes could always look to for advice and constructive criticism.

You can catch up with him this upcoming Carnival season in Trinidad at the Classic Russo Calypso Tent in Port of Spain as well as entertainment spots across Trinidad. You can also find his music on YouTube, Spotify, and other social media platforms.

Lyrics

WEAR CLOTHES

Ah love yuh hair and yuh lips 

But let me tell you this 

You look so fine 

Ah want to make you mine 

But  the way you dress 

I am not impressed 

Is why I willingly suggest 

Chorus             

Wear  clothes darling more clothes

Make me want to know what it is yuh hiding so 

Wear Clothes woman more clothes 

Dress to impress and not to suggest 

Them kinda thing that you wearing 

Could make  angels lose they wings

I trying to be a pope 

But you destroy all meh hope 

Wear Clothes, wear clothes, more clothes

 

by Nerukhi Ato Osei

Production Notes/Music Credits:

Song Title: Wear Clothes

Artist/Performed by: Hamidullah Wahid 

Composed by: Hamidullah Wahid

Executive Producer: Kenny Phillip

Background Vocals by: Tricia Hamilton 

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

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Lady Adanna’s New Calypso Celebrates Our Shared Destiny: Caribbean Vybe

The new calypsos are arriving fast, and we’re not about to get left behind. If anything, we intend to stay at the forefront of this fresh wave of Caribbean music releases. Today’s feature comes from Lady Adanna—a song that stands tall as a tribute to our Caribbean family: one people, one rhythm, and yes, one destiny.

Her latest track, Caribbean Vybe, doesn’t just speak of unity—it embodies it. This is a song designed to stir the Caribbean pot with nothing but positive energy.

“Caribbean Vybe,” performed by Marsha “Lady Adanna” Clifton, is a warm, heartfelt salute to the people, cultures, and shared history that shape the Caribbean experience. The beauty of this calypso lies with the songwriting team of Denis Cox and Marsha Clifton; it celebrates the resilience, beauty, and unity of a region built from struggle yet defined by joy, creativity, and community. And, for those reasons, the song brings hope for peace and not war in the region.

Lady Adanna’s delivery—supported by the rich harmonies of Kerlene “Kerlz” Joseph—reminds us that despite the tribulations that brought our ancestors here, Caribbean people forged an unmistakable spirit: a spirit of peace, love, and good living. The song paints a vivid picture of who we are, where we came from, and where we are heading together… one Caribbean people, one Caribbean vybe. We are resilient and will always rise to the occasion because regardless of our family squabbles and all the 'ole-talk,' we continue to move forward with love and togetherness. 

Production Notes/Music Credits:

Artist / Performed by: Marsha “Lady Adanna” Clifton

Composed by: Denis Cox & Marsha Clifton

Background Vocals: Kerlene “Kerlz” Joseph

Bass Arrangement & Tenor Sax: Oral Rodriquez

Trombone: David Jacob

Trumpet: Charles Williams

Executive Producer & Label: Kaiso Dredz Productionz

Recorded, Mixed & Mastered by: GQ MAXIMUM ONE

Artwork: Kerlz Designs

Registered with COTT — All Rights Reserved

All Rights Reserved

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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The Drum Speaks: Naomi Sinnette’s Tribute to African Roots

The slave master did a number on the early settlers of the Caribbean basin, enslaving their minds with Christianity that has the descendants showing contempt for the spirits of their ancestors... we can only be a soft-spoken voice in the wilderness of self-destruction, but... We have a Calypso Invocation of Ancestry, Memory, and African Rhythm to help awaken a people who lost it all with the hope that this Calypso invocation rekindles memories lost and those 'talking drums' liberate them from the chains that still have our people shackled today.

Naomi Sinnette’s new calypso, “Talking Drum,” is a spiritual journey into the heart of our African ancestry and the musical traditions that shaped Trinidad and Tobago. This is a calypso written to awake a sleeping giant, a song rooted in memory—a call to the ancestors, a reminder of the rhythms that survived the Middle Passage, and a celebration of the drum as both an instrument of communication and a symbol of resistance. And a hope that they realize they are still in chains, carrying the religion of the slave master and so much more.

Naomi starts off by talking about the embrace of Africa, a continent whose spirit, history, and heartbeat still live on in Trinidadian culture. The song talks about getting help from ancestors, gaining power, and taking back one's culture. It gives the listener a sense of identity that goes beyond time and place.

As the beat picks up, "Talking Drum" pays tribute to the ancestors who went through terrible things: they were forced to move, given new names, and lost their culture, but they still held on to the one thing that no oppressor could take away: the rhythmic memory of the drum. She sees the drum as a healer, teacher, and liberator—a force that helped enslaved Africans survive and later gave their descendants the strength to rise.

The song also boldly looks to the present and calls for new talks about reparations, cultural pride, and building identity in times of uncertainty. It reminds people that the African pulse still affects our music, our movement, and the way we all think.

By the end of the song, "Talking Drum" has turned into a chant of affirmation, reminding Caribbean people that they are descendants of kings and queens, have unlimited potential, and have a legacy that must be honored.

Production Notes/Music Credits:

Song Title: Talking Drum 

Artist/Performed by: Naomi Sinnette

Composed by: Sheldon Reid

Produced by: DANCIN DREAD Productions

Background Vocals by: Joseph Williams & Tricia Hamilton

Bass - Rodney Alexander 

Guitar - Jevan Ochoa 

Trumpet - Dan Clarke 

Tenor Sax - Oral Rodriguez 

Trombone - David Jacob

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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Plus Size Woman - Jay "Pinky" Edwards

What if you were in Bardjohn of Calypso's shoes, tasked with writing a calypso that celebrates the virtues of plus-size women while also challenging industry standards and the TikTok and Barbie Doll images that social media adore? What if... ah ha, Caribbean men love their ladies just the way they are! Size does not matter, and with that, Kurt Allen, the Bardjohn of lyrical niceness, penned this calypso for Jay "Pinky" Edwards, titled "Plus Size Women."

In Plus Size Woman, Jay “Pinky” Edwards steps boldly into a conversation calypso has championed for generations: real beauty, real bodies, and real womanhood. This is a song that pushes back against the fashion world’s narrow ideals and lifts up the women who shape Caribbean life—in the kitchen, in the dance, in love, and in spirit.

Edwards calls out the false images sold by magazines and media, contrasting them with the comfort, strength, sweetness, and sensuality of fuller-bodied women. Through humor, honesty, and classic calypso storytelling, he reminds listeners that:

• Confidence is the foundation of beauty.
• Curvy women bring comfort, joy, and real companionship.
• Society’s judgments crumble when faced with genuine affection.
• Beauty never lived in a magazine—it lives in real life, real bodies, and real love.

The song celebrates the woman who refuses shame, who knows her worth, and who understands that her body is not a flaw but a fortress—a source of pleasure, nourishment, and emotional grounding and a champion on the music circuit. Plus-sized women are teaming up with other Soca stars and winning over music lovers, zessing all the way to the bank. 

If you are a fan of Calypso, you are aware that his use of double entendre and comedic exaggeration effectively conveys his message. The song uses double entendre to highlight how curvy women are adored, desired, and deeply appreciated by the men who truly understand their value. It’s a reminder that Caribbean culture has always embraced flesh, flavor, and fullness. Plus Size Woman is more than a praise song—it’s a cultural corrective. It is a reminder that beauty is not one-size-fits-all.

This song, penned by the master griot, is a celebration of women who move with confidence, sweetness, and power. It is a declaration that realness will always outshine plastic perfection. Simply inquire with any Caribbean male, and he will inform you that we appreciate women of all backgrounds and appearances... We just like them! This song captures the essence of Calypso; it unapologetically explores womanhood, while the griot and his penmanship, along with the fiery performance by Kenny Phillips, convey the truth through rhythm.

Production Notes/Music Credits:

Song Title: Plus Size Woman

Artist/Performed by: Jay "Pinky" Edwards 

Composed by: Kurt "Bardjohn" Allen 

Arranged by: Kenny Phillips,

Bass: Rodney Alexander,

Background vocals: Tricia Hamilton 

Brass: Roger Jaggassar, Oral Rodriguez, David Jacob

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

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Before the Battle Begins: DJ Aaron868 Calypso Fiesta Warm‑Up

Listen up. Calypso Fans, Christmas Day is behind us, and the radio stations will be transitioning mostly to Soca music. Stay tuned to Kaiso Dial and WACK Visual Radio 90.1 FM for all the new Calypsos. Now, as we move into the new season, I have to do my little 'De Original De Fosto' chant, "Fire on De Hill! It's officially Calypso season! 

As we roll toward Carnival 2026, Calypso Dial is starting the season with a little provocation—and a whole lot of nostalgia. Before last year’s Calypso Fiesta, DJ Aaron868 dropped a mixtape featuring the voices of the calypsonians who were lining up to challenge the reigning monarch, Machel Montano.

His note said it best:

“As we gear up for Calypso Fiesta, let's listen to some of the calypsonians who will attempt to dethrone the reigning monarch, Machel Montano.” All you need to do is replace the Monk with Helon Francis and we are 'good to go' for Calypso Fiesta 2026.

Today, we’re bringing that mix back—not as a look behind us, but as a signal of what’s coming. Think of it as your first warm‑up lap for Calypso Fiesta 2026.

Listen to the mixtape.  

Get your ears back into the competitive spirit. Hear the tones, the styles, and the lyrical angles. Feel the energy that drives Skinner Park every year.

Then dive into the new season.  

Calypso Dial is already posting fresh 2026 releases—early contenders, sharp writers, returning giants, and new voices stepping into the ring. This is the perfect moment to start building your own shortlist.

Your challenge  

• After listening to the mixtape and the new 2026 calypso uploads, tell us:
• Which singers and songs do you think could reach Calypso Fiesta 2026 in Skinner Park?  
• Who sounds hungry? Who sounds ready? Who has that spark?
• This is your early‑season scouting report—and we want to hear your picks.

Calypso Fiesta is never just a show. It’s a conversation, a rivalry, a cultural pulse. And the road to Skinner Park starts right here on Calypso Dial.

Track List:

• Machel Montano—Soul of Calypso [Defending Monarch]
• Squeezy Rankin—Justice [2025 Young King] [Kaiso Fiesta]
• Kerice Pascall—Tears [Kaiso Fiesta]
• Tamieka Darius—Song of Hope [Kaiso Fiesta]
• Lani K—Death Row [Kaiso Fiesta]
• Hammond Slick Bruce—Cashless Society [Kaiso Fiesta]
• Sexy Suzy—Not for Sale
• Anastacia Richardson—Watch Yuh Clock [Kaiso Fiesta]
• Twiggy—65 and Still Relevant [Kaiso Fiesta]
• Eunice Peters—Trini Yard Sale [Kaiso Fiesta]
• Karene Asche—Ah Leader [Kaiso Fiesta]
• Yung Bredda—We Rise [Kaiso Fiesta]
• Caston Cupid—Here Again
• Makeda Darius—Let D Dragon Dance
• Pharaoh—America Has Spoken [Kaiso Fiesta]
• Chuck Gordon—Look Tuh Press (Buss Out) [Kaiso Fiesta]
• Terri Lyons—Ask Yuh Man [Kaiso Fiesta]
• Ta’Zyah O’Connor– Kaiso to the World [Kaiso Fiesta]
• Lady Tallish—Born to Be A Calypsonian
• Aaron Duncan—Play De Pan
• Stacey Sobers—Rhythm of A People [Kaiso Fiesta]
• Kevan Callisto—Still Feeling To Party
• Kurt Allen—Your Turn Now [Kaiso Fiesta]

Production Notes/Music Credits:

Music Compilation  Titl: Kaiso Kaiso Vol. IV

Curated & Presented by: DJ Aaron 868.

Origin: Trinidad, Republic of Trinidad & Tobago.

Genre: Calypso 🎶

Empowering Caribbean Creatives

🎧 Listen. Share. Amplify. Kaiso Dial—Where Rhythm Lives. Calypso, Steelband, and Soca thrive every day, not just at Carnival. 🌴✨ Elevate Caribbean music and culture—be a cultural ambassador and spread the word! 👉 Find us on Facebook and YouTube.

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Kaiso Dial/Calypso Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

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